Is There A Need For A Publication Like Selling Stock?

By Jim Pickerell | 558 Words | Posted 6/23/2020 | Comments (3)
After reading my story “Copyright Protection For Photos Is Dead” Paul Melcher wrote, “If there is no more copyright, then there is no more licensing. If there is no more photo licensing then there is no more reason for the existence of ‘Selling Stock’"

Licensing Stock Footage

By Jim Pickerell | 291 Words | Posted 6/18/2020 | Comments (1)
Recently, I was asked to provide a list of some of the best agencies that license footage. I provided the following list and recommended that the videographer try to put the same clips with multiple agencies, non-exclusively, in order to maximize sales.  Pond5, Shutterstock, AdobeStock, iStock, Dissolve and Storyblocks.

Mobistok Empowers Photographers With New Selling Platform

By Jim Pickerell | 443 Words | Posted 6/18/2020 | Comments
Mobistok in Hamburg, Germany has announces a new platform for licensing uses to stock images which puts power back into the hands of photographers. Anyone who shoots images with their smartphones can go to Mobistok to put their imagery up for sale. While many stock photo websites make it a bit more difficult for individuals to sell their photos, Mobistok has been created from the ground up as a seamless way to sell photos and videos.

No Bottom Line Pricing

By Jim Pickerell | 1504 Words | Posted 6/17/2020 | Comments (3)
The stock photo industry has developed into a business with No Bottom Line pricing. Some customers can get as many images as they want for whatever they are willing to pay. That is why more and more frequently royalties paid photographers are in cents, rather than dollars. I can’t think of any other industry that operates this way.

DMLA and CEPIC Conferences

By Jim Pickerell | 390 Words | Posted 6/12/2020 | Comments
The two major trade associations for those who license stock photo images and video are CEPIC and DMLA. The DMLA (Digital Media Licensing Association) is primarily a U.S. organization that usually has its annual conference in late October. CEPIC (Coordination of European Picture Agencies Stock, Press and Heritage) is based in Europe, and usually draws attendees from around the world. CEPIC normally has its annual Congress in late May or early June. However, due to the COVID-19 pandemic it was necessary to postpone its 2020 Congress. The 2020 Congress has now been re-scheduled to take place from May 19 through 21, 2021 with no actual Congress occurring in 2020.

Do Photographers Have Any Rights?

By Jim Pickerell | 592 Words | Posted 6/12/2020 | Comments (1)
A couple days ago we told you about the sad case of Stephanie Sinclair who had an image used by Mashable after she told them that $50 wasn’t a sufficient payment for permission to use her copyrighted image. After 4 years a judge in the Southern District Court of New York decided in Mashable’s favor saying that if a photographer posts a picture on a “public” Instagram account anyone can use that picture for any purpose whatsoever without permission or compensation.? But now Instagram tells Ars Technica, their TOS doesn't give companies like Mashable the right to make such uses.  Which legal opinion is right?

Copyright Protection For Photos Is Dead

By Jim Pickerell | 1364 Words | Posted 6/10/2020 | Comments (2)
One or my readers, Amyn Nasser, recently asked, “Isn’t it about time that ALL photographers started using copyright watermarks on all images that appear on social media platforms?" To a certain extent many photographers and agencies have tried for a decade or so to reduce infringement by placing watermarks on their images. For the most part the effort has been a total failure. This story will explain some of the reasons why.

Professional Photographer Dilemma

By Jim Pickerell | 798 Words | Posted 6/5/2020 | Comments
Photographers interested in licensing rights to the images they produce, or in showing their work in hopes of getting assignments, have a dilemma. The only way they can earn money is to advertise and show potential customers what they can do, but the very act of showing in today’s Internet environment creates a huge risk that the images will be grabbed and used without compensation.

Government Aid For The Self-Employed

By Jim Pickerell | 432 Words | Posted 6/4/2020 | Comments
Self-employed, freelance photographers are being hit especially hard by the covid 19 pandemic. Most normally work from one short-term job to the next. They tend to be paid by the job, or the project, not a salary. Often these jobs last only a day, or less in terms of hours spent. When everyone is sheltering in place and much of the country closed down it is impossible for many photographers to find any work at all. The CARES and Pandemic Unemployment Assistance (PUA) programs have focused on helping salaried employees, not those who are self-employed.

Copyright Owners Bear the Brunt of Protecting Against Piracy, 512(c) Report Finds

By Nancy e. Wolff | 280 Words | Posted 6/3/2020 | Comments
On May 21, 2020, the United States Copyright Office published its long awaited 512 (c) report and issued recommendations. The Copyright Office’s report looks at Congress’ intent in enacting the Digital Millennium Copyright Act (DMCA), which offered service providers safe harbors to provide incentives for internet platforms and copyright owners to cooperate in order to detect and deal with copyright infringements in the online environment. The Report looks at that balance in light of the changes in the internet in the past 20-plus years and concludes that the current operation of the section 512 safe harbor system is unbalanced, with copyright owners bearing too much of the burden to deter piracy<

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This stock photography news site focuses on the business side of photography with a special emphasis on stock photography. Our goal is to help photographers maximize their earnings based on the quality of their work and the commitment they are prepared to make to the trade. The information provided will be applicable to part-timers as well as full time professional photographers. We’ll leave it to others to teach photographers how to take better pictures.

Jim Pickerell launched his career as a photographer in 1963. In 1990 he began publishing a regular newsletter on stock photography. In 1995 the information was made available online as well as in print and was gradually expanded to a daily service. Click here for Pickerell's full biography.

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