Articles by Jim Pickerell

Adobe Stock Offers 50 Million Assets

By Jim Pickerell | 219 Words | Posted 3/16/2016 | Comments
Adobe Stock has announced that it now has over 50 million high-res photos, vectors, illustrations, HD videos including some 4K videos to its collection.

CEPIC Congress In Zagreb

By Jim Pickerell | 378 Words | Posted 3/15/2016 | Comments
The annual CEPIC Congress, the world’s largest event where licensors of still still and footage get to together to discuss issues facing their industry, will be held from 25 to 27 May 2016 in Zagreb, Croatia at the Sheraton Zagreb Hotel.

Why Is Curation So Necessary?

By Jim Pickerell | 1396 Words | Posted 3/11/2016 | Comments
I want to call your attention to a couple of comments to my recent story “Curated Collections: The Future.” It is important to recognize that there are some great images on most of the stock photo sites with tens of millions of images. But as we shove everything that meets certain technical standards onto these sites, it becomes harder and harder to sort through all the mediocre shots and find the few great ones.

France Editorial Agencies Struggle To Reorganize

By Jim Pickerell | 857 Words | Posted 3/10/2016 | Comments
As revenues have declined in recent years due to declining sales for the use of images in print, and increasing use of images on the web at much lower prices, many French editorial agencies have found it necessary to reorganize. Jean Michel Psaila, CEO and owner of Abaca Press says, “The market has changed. We used to get €200 for print use. Now we get €5 for online use.”

Shutterstock Announces Multiyear Deal With AP

By Jim Pickerell | 692 Words | Posted 3/10/2016 | Comments
Shutterstock, Inc. has announced a three-year deal with The Associated Press (AP) to distribute AP's daily global photo and packaged video output for license to customers based in the United States. This milestone will also give U.S. Shutterstock editorial customers access to over 30 million photos and nearly 2 million video clips from, respectively, AP Images and AP Archive.

Dreamstime Introduces Unlimited Extended Licenses

By Jim Pickerell | 284 Words | Posted 3/8/2016 | Comments
Dreamstime has made changes to its Extended License policy allowing users to produce unlimited copies of purchased media. Previously, customers purchased extended licenses for print or web usage of an image and were restricted by limits on the number of copies they could reproduce, for example for t-shirts, on-demand printed items, or e-cards.

How Search Return Can Kill Sales

By Jim Pickerell | 1481 Words | Posted 3/7/2016 | Comments
If you’re a Getty contributor and your sales and revenue have been declining, it may be time to do some searches on Gettyimages.com as a customer would search. Input some of the generic keywords that a customer might use to find your images. See where your images fall in the search return order.

The Mega Agency

By Jim Pickerell | 392 Words | Posted 3/4/2016 | Comments
If you’re in the editorial photography business keep your eye on The Mega Agency. This company is a new editorial stock agency founded by the people who started Splash. Splash later became a key part of the Corbis editorial offering.

What Did VCG Buy?

By Jim Pickerell | 707 Words | Posted 3/3/2016 | Comments
It seems to me that all VCG bought when they acquired Corbis was: (1) The right to put out a press release saying, “We are the largest stock photo source in China,” (2) The removal of Corbis content from ImagineChina, which many believe was previously the largest stock photo agency in China, and (3) We bought a company from Bill Gates. Rumor has it that Bill Gates was paid $225 million for Corbis.

Copyright Small Claims Proposal

By Jim Pickerell | 378 Words | Posted 3/2/2016 | Comments
While there has been a great deal of discussion recently about the possibility of Congress creating a small claims process for visual arts, several visual artist groups, representing hundreds of thousands of creators, have joined forces to propose key components of potentially forthcoming small claims legislation. Collectively, the groups represent photographers, photojournalists, videographers, illustrators, graphic designers, artists, and other visual artists as well as their licensing representatives.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.