Robertharding Announces ‘good to go’ License

By Jim Pickerell | 267 Words | Posted 10/24/2016 | Comments
The stock photography world is changing fast, and constantly throwing up new challenges. robertharding has decided to take a pioneering approach to creating new and exciting ways of working that will enable a new generation of image buying clients to find and purchase the work of a new generation of photographers in the easiest way possible.

Shutterstock Editor

By Jim Pickerell | 246 Words | Posted 10/21/2016 | Comments
Shutterstock, Inc. has expanded the functionality of its design application, Shutterstock Editor. Features including professionally designed templates and the ability to upload personalized visual content such as a logo or business image, save designs for editing later, and publish finished designs to social networks are now available from within the application.

Big Data: Is Stock Industry Using It Effectively?

By Jim Pickerell | 821 Words | Posted 10/18/2016 | Comments
There is a lot of talk about how Big Data will save the industry, but are the major stock image distributors using the data they collect effectively? Given the huge number of images currently in major databases, it would seem that a very high percentage of them are never viewed by anyone. If the distributors are collecting data properly, they should know which images are reviewed by customers and which aren’t. If there are lots of images that are never reviewed by customers, is there any way to generate revenue from those images.

Volume And Search Return Are Killing Sales

By Jim Pickerell | 1185 Words | Posted 10/14/2016 | Comments
In the “Goodbye Shutterstock” thread on MicrostockGroup marthamarks said, “My older images still sell on Shutterstock, but newer ones die there.” Why would that be? One would expect newer images to sell better, particularly when agencies continue to ask for more and more images. This does not seem to be insolated complaint, but one common to many long time Shutterstock contributors.

Video Clip Acquisition: Adobe Premiere CC Projects

By Jim Pickerell | 511 Words | Posted 10/12/2016 | Comments
In a research project performed by Pfeiffer Consulting for Adobe Stock, Pfeiffer found that users who acquire video clips from Adobe Stock could realized up to a 6x productivity increase for their video workflow compared to using other conventional stock video sources.

Images In Popular Subject Categories

By Jim Pickerell | 1030 Words | Posted 10/6/2016 | Comments
In the chart below I’ve searched Shutterstock, iStock, AdobeStock, Alamy and Getty Images for the number of images in popular subject categories. No customer would use these words alone in a search for images. Other words would certainly be needed to narrow the search for something more specific within each category. (Note: that some images have more than one of these keyword and will appear in multiple categories.)

iStock Contributors: Average Download Per Image

By Jim Pickerell | 5397 Words | Posted 10/5/2016 | Comments
For the last 5 years I have conducted a semi-annual analysis of the number of downloads and images in the collection of 432 of iStock’s leading contributors. There may be some newer contributors that are now among the top iStock earners, but I don’t think very many. It takes time to build a significant collection and begin to get volumes of sales. These 432 probably represent one-third of all iStock single image downloads since the company began.

Built Images Architectural Photography Joins Blend Images

By Jim Pickerell | 317 Words | Posted 10/5/2016 | Comments
Blend Images has announced exclusive representation of the Built Images stock library. With over 25,000 property-released photographs of contemporary commercial and residential architecture, interior design and home lifestyle, the “Built” collection is one of the most comprehensive and diverse image resources of its kind available for use in advertising and graphic design. This unique collection represents work from more than fifty of the top architectural photographers from the United States and around the world.

Understanding What Stock Photo Buyers Want

By Jim Pickerell | 1333 Words | Posted 10/3/2016 | Comments
Stock photographers need a better understanding of image buyers – their frustrations and what could make their lives easier. Jon Anderson is CEO of Foto Sushi a new stock agency. He is also a Creative Director who has worked on B2B and B2C projects both within an advertising agency and corporate marketing organizations for more than 14 years. In a recent Foto Sushi promotion sent to image buyers, he hit on some very important points that all image creators ought to consider.

Stopping Copyright Thief In China

By Jim Pickerell | 877 Words | Posted 10/3/2016 | Comments
Guarding intellectual property rights in China causes many headaches - but also opens fresh opportunities for lateral thinkers like Chu Yong, whose company’s biggest income stream comes from court cases against copyright thieves. He is making more money for his 400 image creators he represents from compensation for infringement, than many of them receive from selling their products to genuine buyers.

Image Creators: Open Letter To U.S. Senators

By Jim Pickerell | 1439 Words | Posted 9/29/2016 | Comments
Getty Images is asking image creators to add their names to an open letter to U.S. Senators. The letter asks the Senators to say NO to Google’s anti-competitive Image Scraping practices that harm visual artists and other independent creators.

Will Stopping Google Image Scraping Solve Photographer’s Problems?

By Jim Pickerell | 516 Words | Posted 9/29/2016 | Comments
Getty announced on April 27th that it would file a complaint against Google with the European Commission concerning Google’s anti-competitive business practices. On May 20th, to the chagrin of CEPIC, they announced they would not pursue a copyright case against Google in U.S. courts  

How Good Is Visual Image Search?

By Jim Pickerell | 946 Words | Posted 9/27/2016 | Comments
Photographers are discovering that Getty is being paid fees by Pinterest for images it doesn’t represent.

Getty Images Launches Adobe Creative Cloud Plugin

By Jim Pickerell | 841 Words | Posted 9/26/2016 | Comments
Getty Images has launched an Adobe Photoshop plugin that allows user to find images in the Getty collection and then edit watermarked images in Photoshop. If any image found and manipulated in this manner is later purchased, the edits will be applied to the licensed content.

Flickr Marketplace Concedes Defeat

By Jim Pickerell | 337 Words | Posted 9/22/2016 | Comments
An increasingly competitive marketplace has led Yahoo-owned Flickr Marketplace to bow out of the stock photography market. After Getty Images terminated its agreement with Flickr in March 2014 that had enabled Getty to add almost 900,000 images from Flickr photographers to the Getty Images collection, Flickr decided it would set up its own Flickr Marketplace to market the images from its photographer community.

Foto Sushi: New Stock Image Library

By Jim Pickerell | 431 Words | Posted 9/15/2016 | Comments
A new stock photo source called Foto Sushi, LLC has launched a custom library of unique portrait photography suitable for any project. This small collection of what many photographers will classify as very simple images is interesting because it was created by Jon Anderson, a seasoned Art Director and Creative Director, who believes he has identified an unfulfilled need of his colleagues – image buyers.

PicturEngine Nears Public Launch To Customers

By Jim Pickerell | 1406 Words | Posted 9/14/2016 | Comments
After years of development PicturEngine is about ready to begin promoting its search engine to customers. It has more than 500,000,000 keyword searchable images from 64 stock photo agencies and hundreds—soon to be thousands—of individual photographers.

Future Imagery Trends According to Shutterstock Research

By Jim Pickerell | 306 Words | Posted 9/14/2016 | Comments
Shutterstock has published a infographic on The Top Trends Shaping The Future Of Imagery. Photographers looking to produce the kind of imagery customers want to buy may want to make note of these trends outlined by Keren Sachs, Director of Content Development at Shutterstock and Offset.

Mega Expansion Continues With Australian Office

By Jim Pickerell | 1023 Words | Posted 9/12/2016 | Comments
The Mega Agency is partnering with the News and Entertainment division of Australia’s premier photo agency, Snapper Media, the two companies announced today, September 12th, 2016. The Snapper News and Entertainment division will operate under Mega’s name and both partners are confident the new venture will become an even more formidable player in the Australasian markets.

Shutterstock Launches Adobe Photoshop® Plugin

By Jim Pickerell | 294 Words | Posted 9/8/2016 | Comments
Shutterstock, Inc. has announced that its vast collection of 100 million high-quality photos and illustrations is now accessible within Adobe Photoshop® software through its new custom built plugin. With more than 100,000 new images added every day, the Shutterstock plugin boasts the largest collection of photos and illustrations that can be licensed directly within the Creative Cloud desktop application.

Shutterstock Acquires The Kobal Collection and The Art Archive

By Jim Pickerell | 316 Words | Posted 9/6/2016 | Comments
Shutterstock, Inc. has acquired of over 700,000 images from two prominent photo collections: The Art Archive and The Kobal Collection. Both collections, previously held by UK-based The Picture Desk, are now available to Shutterstock Premier customers globally.

Agencies – Buyer and Supplier Relationships

By Jim Pickerell | 1321 Words | Posted 9/2/2016 | Comments
Yesterday, I talked about why the business of licensing rights to stock photos - as currently structured - is Designed To Fail unless some major changes are made. Two of the changes needed are: (1) make finding the right image for a project much easier for the buyer, and (2) improving supplier efficiency.

Stock Photo Agencies – Designed To Fail

By Jim Pickerell | 970 Words | Posted 9/1/2016 | Comments
The basic operating structure of how most stock photo agencies acquire and market images has not changed in 15 to 25 years. Image creator produce and submit their work to an agency. The agency may reject some of it, but most will go into an online collection that customer can review. When a customer finds something she wants to use she pays a fee and the image creator receives a percentage. The agency’s job is to manage the material, make customers aware that the collection exists, license use of the image for whatever they can get and collect money.

Science Photo Library and StockFood Announce Strategic Partnership

By Jim Pickerell | 318 Words | Posted 9/1/2016 | Comments
StockFood GmbH, one of Germany’s leading photo agencies, and Science Photo Library (SPL), the world’s leading source of science and medicine content, have announced a strategic partnership aimed to deliver SPL’s collection of scientific imagery to the German market.

Image Collections On Getty

By Jim Pickerell | 1538 Words | Posted 8/28/2016 | Comments
Recently, I decided to take a look at the number of images in the various Creative collections on The numbers are very revealing and in some ways surprising. Getty has 16,687,710 million images in its Creative collection, 10,341,296 of them or 62% are RF and the rest are RM. (Obviously, these numbers grow slightly every day.)