Articles by Jim Pickerell

Unemployment For Self-Employed Photographers

By Jim Pickerell | 788 Words | Posted 4/1/2020 | Comments
The good news is that under the new Coronavirus Aid, Relief and Economic Security (CARES) Act virtually all self-employed freelance photographers should be able to qualify to receive $600 in federally funded COVID-19 pandemic benefits for up to 13 weeks. In addition, some may also qualify for up to 26 weeks of regular state unemployment. This program extends coverage to those who ordinarily would not qualify for state unemployment, including the self-employed, independent contractors and gig workers.

Shutterstock Footage Library Available for Mobile Users 

By Jim Pickerell | 271 Words | Posted 4/1/2020 | Comments
Shutterstock, Inc. has announced that its footage offering is now available for license in SD, HD, and 4K for customers using iOS and Android applications. With over 17 million videos in the collection, searching, saving and licensing footage content allows customers to create engaging video content from a mobile or tablet device.

Another Gutting Of Copyright Protection For Photographers

By Jim Pickerell | 336 Words | Posted 3/27/2020 | Comments
The U.S. Supreme Court says sovereign immunity protects state governments from copyright infringement lawsuits and has decided that it is OK for U.S. states to grab any photo they can find and use it without notifying or compensating the creator. The specific case that brought the matter to the nation’s highest court was filed by Rick Allen, an independent film producer and director in Fayetteville, North Carolina, who in the 1990s filmed the salvaging of the Queen Anne's Revenge, the flagship of the pirate Blackbeard, that had run aground at Beaufort, North Carolina in 1718.

Making Money When You Can’t Produce New Images

By Jim Pickerell | 659 Words | Posted 3/26/2020 | Comments
“Sheltering in Place” will certainly hurt many photographers. Photographers won’t be able to get out to shoot new images. Customers won’t be coming to your studio. You might be able to shoot still lifes in your home, but getting props may be difficult. So what can you do to pay your bills? One possibility, particularly if you have a large stock photo collection, is to check out Canva and see if they will pay a one-time fee to purchase rights to a significant number of your images for inclusion in their Free collection that they make available to their Graphic Design customers.

What Is Canva?

By Jim Pickerell | 872 Words | Posted 3/26/2020 | Comments
When the question of market leaders in the stock photo industry comes up the names photographers usually think about are Getty Images, Shutterstock, AdobeStock, iStock and Alamy. Maybe they should be thinking about the Australian company Canva. The users and buyers of photographs are people who design products that needs visuals. Canva has been built to provide a host of services designers need to do their jobs.

Will EyeEm Be The Main Future Supplier Of Stock Images?

By Jim Pickerell | 684 Words | Posted 3/20/2020 | Comments
As I pointed out in yesterday’s story EyeEm is the single largest supplier of stock images to Getty’s Creative Collection. Currently 8,005,719 of the 30,472,764 images in Getty’s Creative Collection have been supplied by EyeEm. That’s 26% of the total collection making EyeEm by far the largest contributor to Getty Creative.

CEPIC Congress Rescheduled

By Jim Pickerell | 176 Words | Posted 3/20/2020 | Comments
Due to the unforeseeable circumstances of the coronavirus pandemic the CEPIC Congress 2020 cannot be held from 27 to 29 May. In order to avoid the negative impact this cancellation would cause registered delegates, CEPIC has been able to secure new dates of 30 September to 2 October 2020 at the existing venue, Gran Meliá Victoria in Palma de Mallorca. There will be a Welcome Reception on 29 September.

Copyright Office Changes Due To Coronavirus

By Jim Pickerell | 264 Words | Posted 3/20/2020 | Comments
This week, the U.S. Copyright Office announced some changes in its special handling requirements and some additional information about the impact of the coronavirus on the copyright registration system. You can find the complete announcement here

Getty Creative Collection Transformation

By Jim Pickerell | 2640 Words | Posted 3/18/2020 | Comments
In the last four years there has been dramatic shifts within the Getty Images Creative Collection. It is unclear how this has affected gross revenue generated as Getty has stopped providing a public breakdown of the revenue segments of its business. Nevertheless, it is believed that since 2016 annual gross Creative revenue has consistently generated about $280 million of the company's roughly $850 million in gross revenue.

Google Licensable Image Badge

By Jim Pickerell | 661 Words | Posted 2/24/2020 | Comments (1)
Since June 2018, CEPIC has been actively collaborating closely with Google, and later with IPTC, and DMLA to find a way to make Google Image Search users aware that certain image found need to be licensed.  On Wednesday February 26th at 3pm EST there will be an online Zoom meeting on Google Images Licensable Badge – Nuts & Bolts with Doug Dawirs, Senior Technical Adviser of the DMLA and hosted along with industry experts to explain, and gather input, on the upcoming UI, Schema.org and IPTC changes.  To register in advance for this meeting go here:  https://zoom.us/meeting/register/vpMucu-trDIu6pKIFcgRfuu5EPnVgsQlHQ

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.