Articles by Jim Pickerell

CueSongs Names Luke Vines COO

By Jim Pickerell | 394 Words | Posted 11/3/2015 | Comments
CueSongs today announces the appointment of Luke Vines as Chief Operating Officer. Vines will begin the role with immediate effect, reporting directly into Christina Vaughan, CEO of CueSongs.

Diomedia Historical Calendar

By Jim Pickerell | 581 Words | Posted 11/2/2015 | Comments (1)
Diomedia has developed an interesting way to use mobile devices to promote its historical collection. The Diomedia Historica (enter Historical Calendar at the App Store) to get the free app.

The Future Of Corbis

By Jim Pickerell | 537 Words | Posted 10/30/2015 | Comments
Rumors were flying in New York last week that Corbis may be sold. The rumors are that Shutterstock is interested in purchasing Corbis. The consensus seems to be that Corbis’ gross revenue is in the range of $100 million down from $225 in the mid-2000s. It is believed that about half of the gross comes from editorial and the other half from creative. (These figures may not include the rights clearance part of Corbis’ business.)

Take Aways From Photo Week

By Jim Pickerell | 1132 Words | Posted 10/30/2015 | Comments (2)
I just returned from the annual “Photo Week” in New York – two days at PhotoPlus Expo, two-and-a-half days at the DMLA annual conference and one day at Visual Connections. Here are a few take aways.

Releases: Why And When You Need Them

By Jim Pickerell | 66 Words | Posted 10/30/2015 | Comments
Nancy E. Wolff, Counsel for the Digital Media Licensing Association (DMLA) has written a very clear and detailed explanation of Why and When image creators need releases that was recently published on the American Society of Picture Professional (ASPP) website. Anyone planning to license pictures of people, and in some cases object and other property, should be familiar with this information. Read the article here: http://aspp.com/the-law-releases-101-why-and-when-you-need-them/

Color Trends From Shutterstock

By Jim Pickerell | 107 Words | Posted 10/30/2015 | Comments (1)
Shutterstock's data team has identified the fastest growing colors over the past year by matching pixel data with image download behavior from our customers including brand marketers and creative professionals around the world.

GDUSA Annual Survey Of Image Buyers Use Of Stock

By Jim Pickerell | 186 Words | Posted 10/23/2015 | Comments
The results of the Graphic Design USA annual stock survey are now available online.
Check it out. Be sure to read the extensive comments of Graphic Designes that provide some important insights into what image creators should be producing, and stock agencies should be doing to provide better search ability of their collections.

Pearson’s Share Price Falls 17%

By Jim Pickerell | 416 Words | Posted 10/22/2015 | Comments
Pearson has cut its full-year guidance to investors in a dire warning about the continuing "cyclical and policy-related factors which have been hurting our markets for some years."  Its share price fell almost 17% to a value of $14.54 in New York. The company’s ADRs are now down 30.7% over the past six months.

Getty’s Lean In Collection Now Available On iStock

By Jim Pickerell | 215 Words | Posted 10/22/2015 | Comments
Getty Images has announced the expansion of its Lean In Collection to incorporate positive gender images in an effort to disassociate itself from stereotypical stock photography. The 1191 images are available at "Signature Collection" prices of three credits.

Why Does Information Have To Be Free?

By Jim Pickerell | 1305 Words | Posted 10/21/2015 | Comments
What amazes me is why all the smart people in the publishing world think they have to give away all their information when they put it on the Internet. In theory if you get enough “eyeballs” then you can sell more ads and the revenue from the ads will cover your costs and generate a profit. But, that theory is not working.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.