Articles by Jim Pickerell

80 Stock Photography Trends For 2015

By Jim Pickerell | 150 Words | Posted 3/13/2015 | Comments (1)
Stock Photo Secrets has put together a list of 80 Stock PhotographyTrends For 2015, In 2014 Stock Photo Secrets surveyed stock agencies and put together a list 50 trends of the kinds of imagery customers were buying. This year 16 agencies responded with the 80 most popular subjects their customers are requesting and using.

Bridgeman Images Acquires Rue des Archives

By Jim Pickerell | 407 Words | Posted 3/10/2015 | Comments
Bridgeman Images has acquired Rue des Archives, the premier French archival photo library, and expanded the company’s range of historic imagery and personalities for licensing. Rue des Archives is an exceptional resource with photography ranging from the cave paintings of Lascaux to 21st century Parisian life.

Shutterstock Contributor Earnings

By Jim Pickerell | 494 Words | Posted 3/9/2015 | Comments (1)
Shutterstock has put together a very interesting Infographic related to Contributor Earnings. Everyone engaged in stock photography -- regardless of whether they have ever licensed an image through Shutterstock, or any other microstock distributor -- should examine this Infographic carefully. It contains a lot of important insights.

Lived In Images Awarded Damages For Copyright Infringement Claims Against Content Farm

By Jim Pickerell | 320 Words | Posted 3/9/2015 | Comments
Clear Arts – ImageProtect (www.imageprotect.com) an image tracking company has successfully negotiated a six figure damages settlement for copyright infringement of images belonging to Lived In Images, Inc. against Buzzle.com, an online content farm. Lived In Images, Inc., is a stock photo archive specializing in home, garden, and interior design pictures.

Microstock Market Size

By Jim Pickerell | 1324 Words | Posted 3/6/2015 | Comments (1)
The Microstock segment of the stock photography business has grown rapidly over the last few years. I estimate that in 2014 gross microstock revenue, worldwide, was approximately $850 million. Sales by the Big Four distributors – Shutterstock, iStock, Fotolia and Dreamstime – represented about 85% of this total.

Pearson Education Sourcing Images Through Scoopshot

By Jim Pickerell | 323 Words | Posted 3/6/2015 | Comments
Scoopshot, the leading mobile platform for photo and video crowdsourcing, has partnered with Pearson. In an effort to reach out and engage millennials, Pearson is using Scoopshot to crowdsource photos from around the world to illustrate its publications.

Stock Footage Business At $550 Million Annually

By Jim Pickerell | 567 Words | Posted 3/5/2015 | Comments
The third ACSIL Global Survey of Stock Footage Companies (AGS3) reports a rapidly growing business for companies who have set up dedicated units to market and sell footage. The $550 million global business in 2014 represents a 40% increase in the three years since 2011 when the market was estimated at $394 million.

Program Info For March 26 Visual Media Expo In Boston

By Jim Pickerell | 386 Words | Posted 3/5/2015 | Comments
On Thursday, March 26 Boston will, for the first time, host Visual Connections’ spring visual media expo at the modern and accessible Joseph B. Martin Conference Center at Harvard Medical School.

Promoting iStock: Will This Generate New Business?

By Jim Pickerell | 186 Words | Posted 3/4/2015 | Comments
Almost every day another blog publishes a story ridiculing and putting down stock photography. They highlight images found on some of the major stock web sites that no one in their right mind would ever want use, except as a joke. Some examples can be found here.

Are Crowdsourced Photos Really The Wave Of The Future?

By Jim Pickerell | 456 Words | Posted 3/2/2015 | Comments (1)
A new mobile-oriented, crowdsourced photography service called Twenty20 was launched recently. They claim to have the world’s largest crowdsourced commercial image catalog with 45 million imagers from 250,000 photographers based in 154 countries.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.