Articles by Jim Pickerell

Getty Disconnect: Is More Images And Less Editing Working?

By Jim Pickerell | 703 Words | Posted 9/25/2014 | Comments
I recently received a note from a frustrated Getty Images RM photographer who has been with Getty since they acquired Tony Stone Images in the 1990s, and whose images have earned millions of dollars for Getty in more than two decades. This photographer would like to contribute more images to the RM collection, but is limited to 20 images per-quarter. Images were recently returned to him because he submitted them before the beginning of the new quarter.

Getty Images Drives It's Customers To Use iStock

By Jim Pickerell | 391 Words | Posted 9/25/2014 | Comments
Getty Images appears to be trying to drive its www.gettyimages.com customers to iStock where the customers can get images for a fraction of what they would cost on Gettyimages.com.

More About GDI

By Jim Pickerell | 211 Words | Posted 9/23/2014 | Comments
Here are answers from Charles Taylor to a few follow-up questions I asked after publishing the GDI story yesterday.

Dreamstime Creates More Personalized Search For Users

By Jim Pickerell | 445 Words | Posted 9/23/2014 | Comments
Dreamstime has announced the release of a new personalization feature, as well as a new social media function.

GDI: New Publicly Traded Stock Photo Company

By Jim Pickerell | 2316 Words | Posted 9/22/2014 | Comments (1)
At the International Photojournalism Festival in Perpignan earlier this month and in a later press announcement GDI Media Limited announced the aim to consolidate many smaller independent picture agencies into a single publicly traded company that will be traded on the AIM stock exchange in the UK.

Microstock Photography Survey Results

By Jim Pickerell | 651 Words | Posted 9/19/2014 | Comments
A few months ago Basar Hatirnaz surveyed microstock image producers for his doctorial thesis at Yeditepe University in Instanbul, Turkey. He got 400 responses from contributors with a wide range of experience in the microstock business. The results of his research provide some interesting insights into the microstock industry.

Visual Steam 2014 Buyers Survey

By Jim Pickerell | 537 Words | Posted 9/17/2014 | Comments (2)
In June 2014, Visual Steam surveyed thousands of U.S. art buyers, art directors, art producers, creative directors and marketing professionals to better understand stock image buying behavior today (still photography and motion). The company has published the results of its 2014 Buyers Survey. 100% of the respondents are buyers of stock photography.

How Will iStock Prices Affect Gettyimages.com Sales?

By Jim Pickerell | 1103 Words | Posted 9/16/2014 | Comments (1)
Yesterday, I outlined how iStock’s new pricing strategy may affect contributors. But, the bigger worry for iStock exclusive contributors and Getty Images may be what happens on gettyimages.com. Here’s why.

New iStock Prices Released

By Jim Pickerell | 1088 Words | Posted 9/15/2014 | Comments
Over the weekend iStock launched its new prices to compete with Shutterstock. The following chart shows the credit packages available at both iStock and Shutterstock and the average price per credit.

Seeing Declining GI Sales? Think Search Return Order

By Jim Pickerell | 2184 Words | Posted 9/12/2014 | Comments (3)
Are your Getty Images sales declining? It may have nothing to do with the quality of your images, the subjects you shoot or your keywording. It could be that customers rarely, if ever, get a chance to see your images. Currently Gettyimage.com has 4,278,804 RM and 6,034,642 RF images on the site for a total of 10,313,446 in the creative section of the site. Getty has images from 103 different RM collections and 98 RF collections.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.