Articles by Jim Pickerell

Was The “Stolen Scream” Really Stolen?

By Jim Pickerell | 901 Words | Posted 9/5/2012 | Comments
In March 2011 we published a brief story about how Noam Galai’s picture of his screaming face had been used extensively all over the world without his permission. The image has gained a reputation as the “Stolen Scream.” But, was it really stolen or did the photographer effectively allow the uses.

Do Unto Others As You Would Have Them Do Unto You

By Jim Pickerell | 319 Words | Posted 9/5/2012 | Comments
Education Companies have recently settled copyright and trademark claims against several textbook distributors. However, these same companies have no remorse about knowingly, intentionally and systematically infringing the copyrights of image creators who have supplied images for use in many of the books they publish.

iStock Accepts Photos Created With Mobile Devices

By Jim Pickerell | 603 Words | Posted 9/4/2012 | Comments
iStock has made it official.  They are encouraging contributors to shoot with cell phones and accepting those images into the general collection. The next generation of stock photography – from RM to RF to Microstock to Cell Phones -- is upon us. See iStock’s Creative Brief.

Not Enough Free Images On The Internet

By Jim Pickerell | 411 Words | Posted 8/31/2012 | Comments (1)
Travel photographers take note. Wikimedia Commons thinks there are not enough free images available on the web. So they are running a contest to build their image database that already contains 13.6 million photos and illustrations.

Chasing Infringements

By Jim Pickerell | 1100 Words | Posted 8/29/2012 | Comments (1)
No one likes to see their images used without compensation, particularly if the use is on a site that generates revenue for the user. PicScout, a company that searches the web for images found in the collections of professional image distributor, says that 85% of the images they find on commercial sites are unauthorized uses (either never licensed, or used beyond the license). This article deals with what you should do to locate images that have been infringed and to receive compensation.

Open Education Resources – The Next Disruptor

By Jim Pickerell | 621 Words | Posted 8/28/2012 | Comments (1)
For some time professional image suppliers and many educational publishers have been at odds over unlicensed use of images. Image creators and suppliers claim they have not been properly compensated for the use of some images while publishers either try to hide the unauthorized uses or argue that what they have done is not copyright infringement. Now publishers and image creators are on the same side against alleged infringer Boundless Learning.

Kodak Exits Photography Business

By Jim Pickerell | 515 Words | Posted 8/27/2012 | Comments (1)
Kodak has announced plans to sell off its Personalized Imaging business unit which includes Kodak cameras, print kiosks, and consumer-grade film. In short, Kodak will no longer make any photographic items for the everyday consumer.

Create Your Own Portfolio App

By Jim Pickerell | 297 Words | Posted 8/24/2012 | Comments
Photographers can now build their own portfolio and presentation apps for iPad and iPhone without the necessity of learning to code. Appafolio Biz and Appafolio Plus provide an application tool that lets the photographer produce and display slideshows, galleries and videos.

No More Fixed Prices For Royalty Free

By Jim Pickerell | 311 Words | Posted 8/23/2012 | Comments (2)
Pocketstock has created a new pricing strategy call Bidder that enables each customer to establish the price he or she is willing to pay for a royalty free image.

Google Algorithm Change May Discourage Infringement

By Jim Pickerell | 494 Words | Posted 8/23/2012 | Comments
Google has made a change in its search algorithm that may discourage web site creators from using unlicensed photos. Such use could result in their entire site appearing lower in search rankings and thus seldom, if ever, seen as a result of a Google search.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.