Articles by Jim Pickerell

Photographers vs. Copyright Clearance Center

By Jim Pickerell | 1853 Words | Posted 12/9/2011 | Comments
A philosophical battle is being waged on the web between ASMP (American Society of Media Photographers) and APA (American Photographic Artists) over how to address the issue of the lack of compensation from the Copyright Clearance Center (CCC) for the collective licensing of reprography and digital uses of literary and visual works, and other secondary uses of audiovisual works. Here’s some background.

Stock Photography’s Fatal Flaw

By Jim Pickerell | 1011 Words | Posted 12/8/2011 | Comments (4)
Image creators need to recognize that the fatal flaw in the stock photography business model is that there is no way to control supply relative to demand. This was not a big problem in the 1990s when demand exceed supply, but that state of affairs will never happen again. As a result Stock Photography is and will continue to be a very risky business.

Update on Arius3D's Agreement to Acquire Masterfile

By Jim Pickerell | 206 Words | Posted 12/8/2011 | Comments
The sale of Masterfile to Arius 3D Corp for $21.4 million is still hanging in the balance. The two companies have agreed to extend to January 31, 2012 the closing of the previously announced proposed acquisition by Arius3D of all of the issued and outstanding securities of Masterfile.

Pearson Loses Attempt To Escape Jon Feingersh Infringement Suit

By Jim Pickerell | 388 Words | Posted 12/7/2011 | Comments
U.S. District Judge Anita B. Brody denied Pearson Education Inc’s motion for dismissal of Jon Feingersh Photography Inc’s (JFPI) suit alleging the textbook publisher used dozens of his copyrighted photos in excess of the limited-use licensing rights the company had obtained.

Help! I’ve Been Infringed!

By Jim Pickerell | 1980 Words | Posted 12/6/2011 | Comments
What should you do when you discover a unauthorized use of one of your images? Attorney Carolyn E. Wright (whose also a stock photographer) has prepared a brief document outlining the steps photographers need to take once they discover an infringement. The steps you take may limit your ultimate remedies so be sure to first understand what your options are.

Fees For Travel App Use

By Jim Pickerell | 600 Words | Posted 12/1/2011 | Comments
Recentlty, a photographer asked what to charge for use of photos on a travel app that is designed to help tourists discover new places to visit, things to do, places to eat and drink etc.?  Here are my thoughts.

Generational Expectations

By Jim Pickerell | 697 Words | Posted 11/30/2011 | Comments
Given the existence of these contributors stock photography is unlikely to be a dependable way to earn a living in the future. Those that are trying to earn their living taking pictures should focus on getting assignments or doing something that guarantees a certain level of compensation before they undertake the work.

Canon Introduces New Video Camcorder

By Jim Pickerell | 106 Words | Posted 11/30/2011 | Comments (2)
Canon has introduced a new EOS C300 video camcorder. For the full British Journal of Photography review click here. Canon’s new Cinema EOS system includes a new interchangeable-lens digital video camcorder, and seven 4K EF cinema lenses. The launch held in Hollywood with Martin Scorsese as guest speaker, and in Berlin marks Canon’s official entry into the motion-picture production industry.

Email Marketing

By Jim Pickerell | 1348 Words | Posted 11/25/2011 | Comments (1)
Recently I wrote about PhotoShelter’s survey of 500 buyers of stock in their new Free guide to Selling Stock Photography.

Getty Cuts Editorial Royalties To 35%

By Jim Pickerell | 196 Words | Posted 11/23/2011 | Comments (1)
Getty Images notified its editorial photographers on November 9th that it is revising its editorial contract and cutting the royalty rate to 35 percent. Under the current editorial contract Getty pays photographers 50 percent for some sales and 35 percent for others.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.