Articles by Jim Pickerell

Graphic Designer Use Of Royalty Free

By Jim Pickerell | 348 Words | Posted 7/27/1998 | Comments
Graphic Design:USA reports that 60% of creative professionals use ''royalty free'' images. Included with this story is a list of addresses and contact numbers for various ''royalty free'' producers

Bridgeman Art Library Sues Corel

By Jim Pickerell | 425 Words | Posted 7/27/1998 | Comments
The Bridgeman Art Library of London has sued Corel over the unauthorized use of copyrighted photographs of fine art paintings. The case will determine whether the photographic renditions of historic paintings that are owned by major art galleries are protected by copyright as Bridgeman contends.

July 1998 Selling Stock

By Jim Pickerell | 8134 Words | Posted 7/10/1998 | Comments
This issue contains stories on: Are Production Shoots In Your Future?, Sales From Direct Stock 6, Index Acquires Picture Cube and Stock Imagery, Digital Object Identifiers, PACA Adopts "Rights Protected" Term.

Legal News

By Jim Pickerell | 2019 Words | Posted 7/8/1998 | Comments
Boston photographer settles for 23 times the normal fee he would have charged for picture the Boston Herald grabbed from the Discovery Online web site. In another case in New York the judge made some ''fair use'' determinations that may be useful to photographers fighting ''fair use'' claims in the future.

The Classroom in 2005

By Jim Pickerell | 1503 Words | Posted 7/8/1998 | Comments
The theme of a recent ASPP meeting in Chicago was ''Where Will Eductional Publishing Be In 2005?'' Encyclopedia, textbook and research professionals gave some interesting insights.

Flashpix By Live Picture

By Jim Pickerell | 951 Words | Posted 7/6/1998 | Comments
Live Pictures' FlashPix technology is being used on-line to allow buyers to zoom in on details within an image. Samples of how it works can be seen at www.SportSite.com.

Are Production Shoots In Your Future?

By Jim Pickerell | 3559 Words | Posted 6/30/1998 | Comments
I believe major agencies will begin funding production shoots with selected photographers. Some may hire staffers. Find out why and where that leaves you.

PACA Adopts "Rights Protected"

By Jim Pickerell | 932 Words | Posted 6/23/1998 | Comments
PACA has adopted the term ''Rights Protected'' to help agencies engaged in traditional licensing of images distinguish themselves from Royalty Free. Richard Pasley of ASPP comments and Jim Pickerell answers his comments.

Catalog Math

By Jim Pickerell | 1374 Words | Posted 6/22/1998 | Comments
This story provides some additional figures and background in exploring the returns photographers are likely to see from print catalogs in the future.

The Death of Photojournalism?

By Jim Pickerell | 1778 Words | Posted 6/22/1998 | Comments
Otto Pohl who operates the only professional photo lab in Russia, and has opportunity to talk with many of the world's leading photojournalists has written a thought provoking piece about the future of photojournalism.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.