Articles by Jim Pickerell

Concepts

By Jim Pickerell | 240 Words | Posted 4/1/1996 | Comments
Photography buyers often look for photos that illustrate concepts. A useful list of some of the most commonly requested concepts.

Writers Battle NY Times

By Jim Pickerell | 1605 Words | Posted 3/25/1996 | Comments
Report from the American Society of Journalists and Authors (ASJA) on battle with NY Times for electronic rights.

Ads On the Net

By Jim Pickerell | 442 Words | Posted 3/1/1996 | Comments
A sampling of what magazines are charging advertisers on their sites and the hits and the visits figures they use to justify these fees.

Pricing Online

By Jim Pickerell | 1418 Words | Posted 3/1/1996 | Comments
Want to know what to charge for uses of your images on-line? Read this story.

Image Bank Returns Policy

By Jim Pickerell | 2557 Words | Posted 3/1/1996 | Comments
If you think you are going to get the images you send to a stock agency back you need to read this story.

MPCA In 1996

By Jim Pickerell | 9080 Words | Posted 2/15/1996 | Comments
Vince Streano says MPCA is eroding ''the vitality and the visibility of ASMP,'' and calls for ASMP to stop spending money and resources on MPCA. Dick Weisgrau responds.

Internet for Photographers?

By Jim Pickerell | 1437 Words | Posted 2/15/1996 | Comments
Rohn Engh says the Internet is a waste of time for stock photographers. Jim Pickerell responds.

E-Wrongs about E-Rights

By Jim Pickerell | 1346 Words | Posted 2/15/1996 | Comments
American Society of Journalists and Authors explains the mis- information being put out by publishers about why they can't pay for electronic rights on a usage basis.

Digital Product Economics

By Jim Pickerell | 753 Words | Posted 2/15/1996 | Comments
The article explains why professional photographers will find it extremely difficult to obtain reasonable fees for images used in the vast majority of CD-ROM consumer products.

Agency Consolidations

By Jim Pickerell | 502 Words | Posted 2/15/1996 | Comments
Visual Communications Group in London acquires Bavaria in Germany. Index Stock in New York acquires Profiles West.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.