Articles by Jim Pickerell

Blockchain Payment: How They Work

By Jim Pickerell | 791 Words | Posted 1/30/2018 | Comments
After publishing several stories on blockchain technology as it relates to image licensing, it has been unclear to me how customers with dollars in their pocket would conduct a transaction to license use of a photo and how the image creator would actually gets dollars they can use to buy groceries.

Where Have Photo Assignments Gone?

By Jim Pickerell | 966 Words | Posted 1/29/2018 | Comments
It used to be when a major corporation like British Petroleum (BP) went looking new images their art department would come up with a rather specific concept for what they needed. Then they would review photographer portfolios and hire a photographer to do the job. They would pay $1,500 per day, plus expenses for the shoot. Leading, experienced photographers often received significantly higher day rates.

Blockchains Without Cryptocurrency

By Jim Pickerell | 1076 Words | Posted 1/26/2018 | Comments
Blockchain tracking of stock image licensing may be a way to improve the working environment for image creators without getting involved in cryptocurrencies. One of the things that concerns image creators when they hear discussions about blockchains is that they always seem to be tied to collecting money in some type of “new economy” cryptocurrency like KodakCoin.

Protect Your Images From Unauthorized Use

By Jim Pickerell | 961 Words | Posted 1/26/2018 | Comments
One of the biggest problems in the stock image business is unauthorized use. Many of those making unauthorized uses would be happy to ask permission and compensate the creator, if they could just find them. When they find an image on a website other than the creators there is usually no information about who the creator is or how to locate him/her.

Image Trend Reports

By Jim Pickerell | 347 Words | Posted 1/26/2018 | Comments
It is that time of year when stock agencies report on image trends they expect to see in the coming year. The purpose of these reports is to help photographers focus their production on the subject matter the agencies think will be in demand in the coming year.

Pray Your Images Won’t Be Used Online

By Jim Pickerell | 1094 Words | Posted 1/22/2018 | Comments
If you want to earn more for the images you produce, and for there to be less unauthorized use, maybe you should be praying that your images won’t get used by customers online. For many this may sound like heresy, or at the very least, ridiculous. Doesn’t everyone want more people to see and use their images? Consider this analysis.

Shutterstock Forecasts 2018 Creative Trends

By Jim Pickerell | 770 Words | Posted 1/17/2018 | Comments
Shutterstock has released its 2018 Creative Trends Report. Every year, Shutterstock customers across the world make billions of searches for images, footage, and music. Shutterstock creative teams analyze this search and download data to discover the biggest year-over-year increases and identify the trends they believe will continue to grow throughout 2018.

Can Your IP Address Affect Your Shutterstock Sales

By Jim Pickerell | 307 Words | Posted 1/17/2018 | Comments
One Shutterstock photographer who has resided in various countries at different times reports that the Shutterstock search engine seems to use the contributor’s IP address as part of the algorithm to rank images higher or lower in the search return order based on location.

Stock Photography Performs Better Than Original Photography

By Jim Pickerell | 379 Words | Posted 1/16/2018 | Comments
You’ve seen all the stories about how stock photography is junk, will chase customers away and destroy a company’s business. Well now Darren Johnson, publisher of Campus News, says that Stock Photography actually Performs Better for his publication Than Original Photography

lPStock Blockchain - More Information

By Jim Pickerell | 1210 Words | Posted 1/15/2018 | Comments (2)
After publishing the story on IPStock on Friday I had some further questions particularly in regard to how customers actually pay for the use of images and how the photographers would receive payment. Askold Romanov, answered my questions.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.