Making Money In Microstock

By Jim Pickerell | 1076 Words | Posted 5/26/2010 | Comments (2)
A Russian photographer asks what subjects he should shoot for microstock in order to maximize his earnings. With hard work, he feels he can duplicate the results achieved by Yuri Arcurs, particularly because shooting in Russia can be much cheaper than Arcurs' Denmark location. Yet there are flaws to that logic.

Alamy Funds Second YPA Scholarship

By Julia Dudnik Stern | 65 Words | Posted 5/25/2010 | Comments
For the second year in a row, Alamy is supporting the Young Photographers Alliance foundation. The U.K. library was the first company to pledge a scholarship in 2009 and is renewing its support in 2010. Last year, the Alamy Scholarship Award was presented to Julianne Jamora of the School for Visual Arts. YPA was established last year to support emerging talent in building sustainable careers.

Pixamba Launches Image Management Product for Micro Users

By Julia Dudnik Stern | 274 Words | Posted 5/25/2010 | Comments
Pixamba, the maker of popular micro-contributor software ProStockMaster, has announced the launch of a digital asset management platform to help microstock photography users manage their image collections. Offered as software-as-service at a starting price point of under $5 per month, the Pixamba Media Management platform is designed to help image buyers index, store, search, tag, back up and retrieve images for reuse.

Photographer Income Survey

By Jim Pickerell | 160 Words | Posted 5/24/2010 | Comments
Jim Pickerell is launching a new photographer income survey in an effort to determine general income trends for photographers in the last couple of years. We encourage photographers, worldwide, who have had any earnings whatsoever in the last two years from licensing rights to their images to answer this brief questionnaire.

CEPIC Congress Promises to Kick Ash

By Julia Dudnik Stern | 261 Words | Posted 5/24/2010 | Comments
The organizers of the upcoming Dublin congress encourage attendees not to worry about potential disruption from the Icelandic volcano. CEPIC president Christina Vaughan sent out a note stating: “The worst of the disruption took place in April, and the authorities have now learned how to deal with it.”

Corbis to Liquidate Sygma

By Julia Dudnik Stern | 457 Words | Posted 5/21/2010 | Comments
In a letter to its contributors, Corbis has disclosed it will be seeking liquidation of the Sygma business entity in France. The company acquired Sygma in 1999 and has had numerous well-publicized legal and management issues with the former agency’s photographers, staff and assets.

Getty Images Offers Sky News Editorial Footage

By Julia Dudnik Stern | 208 Words | Posted 5/21/2010 | Comments
Getty Images has announced it has signed a four-year agreement with Sky News to license and distribute Sky editorial footage, which significantly grows its news, sport and entertainment offering.

Print Advertising and the Future of Stock Photography

By Jim Pickerell | 1135 Words | Posted 5/20/2010 | Comments (1)
A large percentage of the still-photo segment of the stock photography business is related to advertising—either licensing images for use in print ads, or licensing them for use in editorial products that are supported to a great extent by ads. The health of the stock photography business is directly related to the health of the print business. To understand what is likely to happen in the still photography business, it is important to have some understanding of advertising trends.

Expanding Your Business With Video

By Gail A Mooney | 1104 Words | Posted 5/20/2010 | Comments
I had already been a still photographer for over 20 years when I started exploring digital video and the motion medium ten years ago. I had built a successful career shooting editorially for magazines like National Geographic Traveler, Smithsonian, Travel & Leisure to name a few, as well as producing annual reports for major corporations.  When digital video hit the scene in the late ‘90’s, I was already starting to feel a slight frustration in trying to tell certain stories with a still camera. I was beginning to think and see in terms of movement and sound.  At the same time, technology was making it possible and affordable with digital video cameras and non-linear editing software for me to use this medium to tell my stories.  The new tools were a means to an end.

FootageBank HD Partners with Footage.net

By Julia Dudnik Stern | 60 Words | Posted 5/19/2010 | Comments
FootageBank HD has added 70,000 stock clips to Footage.net, a comprehensive search platform for the film and video industries.

About