Unemployment For Self-Employed Photographers

Posted on 4/1/2020 by Jim Pickerell | Printable Version | Comments (0)

The good news is that under the new Coronavirus Aid, Relief and Economic Security (CARES) Act virtually all self-employed freelance photographers should be able to qualify to receive $600 in federally funded COVID-19 pandemic benefits for up to 13 weeks. In addition, some may also qualify for up to 26 weeks of regular state unemployment.

Based on the CARES Act each adult who filed a tax return in 2018 or 2019 should automatically receive $1,200 in roughly three weeks. In addition, roughly $250 billion has been set aside to provide extended federal unemployment benefits of $600 per week for up to 13 weeks. This program extends coverage to those who ordinarily would not qualify for state unemployment, including the self-employed, independent contractors and gig workers.

The bad news is that it may not be easy to apply for the extended federal benefits.



To receive this expanded Pandemic Unemployment Insurance (PUI) you will need to file a claim with the unemployment insurance office in the state where you live (and hopefully work). The first problem photographers may face is that in many cases the organizations employing them may not be located in the state, or maybe even the country, where they live or do the work. Normally, state unemployment offices deal mostly with workers who have been laid off from a job in their state.

For regular state unemployment claims the person making the claim must usually file in a state where the work was performed. But it is not uncommon for a photographer to perform work in one state for a company headquartered or located in a different state. That company pays unemployment insurance taxes in a different jurisdiction than where the work is performed. And it is those taxes that provide the revenue to pay regular unemployment benefits. With the PUI benefits the money comes from a separate federal fund. It is not clear how this problem will be handled, particularly when it is state officials analyzing a claim for federal money.



Another big problem is that all states are dealing with a heavy backlog of jobless claims which hit 3,283,000 in the week ending on 21 March. Some economists expect the number to reach 5.5 million in some weeks. In normal times total unemployment workers in all the states combined probably handle about 200,000 claims a week. Processing all these additional claims may be a nightmare.

When you file a claim, you will be asked for certain information, such as addresses and dates of your former employment. Such a list may be very long for photographers who work a lot of one-day or half-day jobs for many different employers. For photographers who receive royalties from stock photo agencies, will it be satisfactory to just list the agency as the employer, or will the photographer need to determine, and list, each unique licensor of their images? To make sure your claim is not delayed, be sure to give complete and correct information.

It generally takes two to three weeks once a claim is filed before you receive your first benefit check.



It is unclear whether the government will only pay benefits until they declare the end of the quarantine, or for the full 13 weeks. Will they will continue to pay until there are enough clients requesting new photographic work that jobs are able to return to some type of normalcy? Photographers who qualify for pandemic benefits could receive as much as $7,800 from the federal government before the end of 2020.

Regular Unemployment


According to the Department of Labor, you need to meet two criteria to qualify for regular state unemployment: (1) You are unemployed through no fault of your own or out of a job due to reasons beyond your control. Many states are under mandatory “stay at home” orders which makes it virtually impossible for most photographers to work, or earn a living. Thus, freelance photographers should easily meet this qualification.

(2) You meet your state’s requirements for time worked or wages earned: Every state has different rules. For example, New York requires that you have worked in at least two calendar quarters of your “base period” (generally that just means the year before), be paid at least $2,600 in wages in one of those quarters, and during that period made a total of 1.5 times the amount you made in your highest-paid quarter that year.

The question here will be how your state interprets wages. Are they only “fixed regular payments, typically paid on a daily or weekly basis by an employer” or can they also be negotiated project payments?

I will be very interested to hear from any reader as to the successes they have in collecting Pandemic Unemployment Insurance benefits, or the difficulties they faced in trying to make such a claim.


Copyright © 2020 Jim Pickerell. The above article may not be copied, reproduced, excerpted or distributed in any manner without written permission from the author. All requests should be submitted to Selling Stock at 10319 Westlake Drive, Suite 162, Bethesda, MD 20817, phone 301-461-7627, e-mail: wvz@fpcubgbf.pbz

Comments

Be the first to comment below.

Post Comment

Please log in or create an account to post comments.

Stay Connected

Sign up to receive email notification when new stories are posted.

Follow Us

Free Stuff

Stock Photo Pricing: The Future
In the last two years I have written a lot about stock photo pricing and its downward slide. If you have time over the holidays you may want to review some of these stories as you plan your strategy ...
Read More
Future Of Stock Photography
If you’re a photographer that counts on the licensing of stock images to provide a portion of your annual income the following are a few stories you should read. In the past decade stock photography ...
Read More
Blockchain Stories
The opening session at this year’s CEPIC Congress in Berlin on May 30, 2018 is entitled “Can Blockchain be applied to the Photo Industry?” For those who would like to know more about the existing blo...
Read More
2017 Stories Worth Reviewing
The following are links to some 2017 and early 2018 stories that might be worth reviewing as we move into the new year.
Read More
Stories Related To Stock Photo Pricing
The following are links to stories that deal with stock photo pricing trends. Probably the biggest problem the industry has faced in recent years has been the steady decline in prices for the use of ...
Read More
Stock Photo Prices: The Future
This story is FREE. Feel free to pass it along to anyone interested in licensing their work as stock photography. On October 23rd at the DMLA 2017 Conference in New York there will be a panel discuss...
Read More
Important Stock Photo Industry Issues
Here are links to recent stories that deal with three major issues for the stock photo industry – Revenue Growth Potential, Setting Bottom Line On Pricing and Future Production Sources.
Read More
Recent Stories – Summer 2016
If you’ve been shooting all summer and haven’t had time to keep up with your reading here are links to a few stories you might want to check out as we move into the fall. To begin, be sure to complet...
Read More
Corbis Acquisition by VCG/Getty Images
This story provides links to several stories that relate to the Visual China Group (VCG) acquisition of Corbis and the role Getty Images has been assigned in the transfer of Corbis assets to the Gett...
Read More
Finding The Right Image
Many think search will be solved with better Metadata. While metadata is important, there are limits to how far it can take the customer toward finding the right piece of content. This story provides...
Read More

More from Free Stuff