Articles by Jim Pickerell

Uncertainty

By Jim Pickerell | 1464 Words | Posted 1/7/2013 | Comments
Recently there has been a lot of talk in the U.S. press that “uncertainty” is the reason why the recovery is jobless, why businesses are sitting on billions in cash and why business leaders are cautious about expansion into new ventures. Uncertainty is also a major problem for stock photographers.

Questions, Questions

By Jim Pickerell | 1415 Words | Posted 1/4/2013 | Comments (2)
Recently several subscribers have asked questions, the answers to which might be of interest to all subscribers. So I’ve decided to share the questions and my answers here.

Getting Images Seen

By Jim Pickerell | 1059 Words | Posted 1/3/2013 | Comments (1)
Getty photographer are complaining that their images aren’t being seen because over 365,360 iStock Exclusive+ images have been placed on the Getty site and are being given search return order preference. iStock photographers are complaining because images from various Getty brands are being pushed into The Agency Collection on iStock. TAC now contains at least 58,546 images.

iStockphoto Upload Trends In 2012

By Jim Pickerell | 5191 Words | Posted 1/2/2013 | Comments
At the end of 2012 the 423 had a combined total of 1,601,662 images on the iStock site and had grown their collections by 216,191 images (about 13%) during the year. However, it is interesting how this uploading breaks down. The top 20 uploaded 74,399 images (34% of the total). See their upload totals here.

Downloads At iStock 56% Lower Than 2010

By Jim Pickerell | 2902 Words | Posted 1/2/2013 | Comments (2)
The number of downloads from iStockphoto may have declined by 46% in 2012 compared to 2011 and almost 56% since 2010. This story explains in detail how we arrived at this figure and provides specific trend information on 194 of iStock's leading contributors.

Instagram Does About-Face

By Jim Pickerell | 93 Words | Posted 12/21/2012 | Comments
The New York Times reports that late Thursday Kevin Systrom, Instagram’s co-founder said, that where advertising was concerned, the company would revert to its previous terms of service that have been in effect since October 2010.

Trade Associations Protest Instagram “Terms of Use” Changes

By Jim Pickerell | 363 Words | Posted 12/21/2012 | Comments
The leading trade associations representing professional photographers have sent the following letter to Kevin Systrom, CEO of Instagram protesting Instagram’s new “terms of use.”

Scoopshot Launches Professional Service

By Jim Pickerell | 635 Words | Posted 12/21/2012 | Comments
Scoopshot has launched Scoopshot PRO that makes commissioning a photographer easier than ever. The service gives the media, ad agencies and other companies access to a global pool of professional and accredited amateur photographers, and the ability to set, manage and pay for assignments.

Patent Shakedown

By Jim Pickerell | 678 Words | Posted 12/20/2012 | Comments
Uniloc USA and Uniloc Luxenburg has sued DepositPhotos, Dreamstime and other stock photo licensors alleging that their business models infringe Uniloc’s U.S. patent number 7,099,848 filed by Russell P. Reeder and Raymond M. Haynes on December 28, 2001 and granted on August 29, 2006.

Instagram Claims Right To Sell Photos: Backs Down Later

By Jim Pickerell | 1178 Words | Posted 12/19/2012 | Comments (1)
On December 17th Instagram proposed dramatic changes in its "terms of service" that would give the company the right to sell users' photos without payment or notification, effective January 16, 2013. This sparked immediate outrage and revolt among Instagram contributors. Many started removing images from the site. The next day Instagram reversed itself and pledged to “remove” the language that sparked the revolt.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.