Articles by Jim Pickerell

Novus Select Launches Tectonic Media Group

By Jim Pickerell | 308 Words | Posted 10/24/2012 | Comments
Novus Select announced today the formation of Tectonic Media Group (TMG), a New York-based talent management and media consulting firm. TMG represents the top talent in action and adventure sports photography and filmmaking. The firm will look after each artist in all aspects of their career, from print advertising and editorial work, to directing commercials, branded content, and feature length documentaries, as well as content licensing, book publishing, speaking engagements, and brand endorsements.

EP Merges With APA

By Jim Pickerell | 502 Words | Posted 10/23/2012 | Comments
American Photographic Artists (APA) has announced that Editorial Photographers (EP), a highly regarded association aimed at improving profitability of editorial photography, has agreed to a merger that will benefit professional photographers around the world. The merger is scheduled to be completed by the end of the year. This merger will increase the size of APA to approximately 3,200 members.

ABC News’ VideoSource Expands Online Library

By Jim Pickerell | 282 Words | Posted 10/23/2012 | Comments
ABC News VideoSource has upgraded and expanded its website delivering greater and easier online access to ABC News’ vast archival footage collection spanning from 1896 to the present day. Producers and researchers can browse, license and, in some cases, immediately access tens of thousands of video assets from ABC News’ expansive archives with the click of a mouse.

Photographer Compensation For Social Media Use

By Jim Pickerell | 2381 Words | Posted 10/22/2012 | Comments
At the Picture Archive Council of America (PACA) international conference in Chicago over the weekend PACA and CCC (Copyright Clearance Center) offered a proposal for collecting revenue for the unlicensed use of images on social media sites and distributing a share of that revenue to the creators whose images were used

Steps To Solving The Infringement Problem

By Jim Pickerell | 1399 Words | Posted 10/18/2012 | Comments
If we want to reduce copyright infringements we must make it easier for people to be honest. Reasoned education is not working. Aggressive pursuit of infringements is not slowing the number of infringements. This story suggests three steps that are technologically possible today and which the industry ought to be exploring.

Copyright Alert System

By Jim Pickerell | 178 Words | Posted 10/18/2012 | Comments
Last year a positive partnership between content creators and internet service providers (ISPs) was created to better educate internet users on legal options for receiving entertainment content online and to inform consumers who repeatedly engage in infringement that their actions are inappropriate. Now they are ready to launch the Copyright Alert System.

Publishers Settle With Google Over Library Project

By Jim Pickerell | 364 Words | Posted 10/17/2012 | Comments
The Association of American Publishers (AAP) and Google have announced a settlement agreement that will provide the Google Library Project with access to books and journals that are still protected by copyright. Now, Google may digitize new books as well as make the contents of books already scanned available online.

Image Trends In Financial Services Advertising

By Jim Pickerell | 169 Words | Posted 10/17/2012 | Comments (1)
Since 2008 Getty Images has noticed some change in the kind of images financial service providers are using. Check out this story for insights into the trends.

Dreamstime Joins Pinterest’s Attribution Program

By Jim Pickerell | 547 Words | Posted 10/16/2012 | Comments
Dreamstime has become the latest professional photography service to resolve its legal issues regarding the pinning of copyright-protected, watermarked images shared on Pinterest. The solution incorporates an attribution line, which now appears beneath the photo in question and links back to the photo’s page on Dreamstime.com. This is the same solution that Pinterest offers to other members of its “attribution program,” including Flickr, YouTube, 500px, Etsy, and others.

Collecting Societies and Photocopy Licensing

By Jim Pickerell | 1633 Words | Posted 10/15/2012 | Comments (2)
For more than 30 years “Collecting Societies” in many countries have had systems to compensate photographers when their images in books and periodicals are photocopied. U.S. photographers are not so fortunate.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.