Articles by Jim Pickerell

November 2005 Selling Stock

By Jim Pickerell | 176 Words | Posted 11/8/2005 | Comments
This edition includes: Trends To Watch; Corbis Reports Growth; Jupiter Acquires Banana Stock; Non-released At Getty; Getty Third Quarter 2005; a21 Second Quarter Results; a21 Acquires Ingram Publishing; Blend Seeks Photographers; Adobe Adds 4 Collections; Speight to Lead Masterfile Europe; Digital Camera Focus Problems; PLUS Creates Licensing Language and more.

Random Thoughts 112

By Jim Pickerell | 1323 Words | Posted 11/7/2005 | Comments
This edition of Random Thoughts has short items on: Return-Per-Image Going Down At Getty; Imagestate Appoints Hart COO; Alamy To Place Copies Of Site In Multiple Locations; and Correction To Jiunlimited.com.

Jupitermedia Third Quarter

By Jim Pickerell | 1233 Words | Posted 11/4/2005 | Comments
Jupitermedia has reported third quarter of 2005 revenues of $34.4 million compared to revenues of $15.8 million for the same period last year. Jupiter is estimating revenue of over $39 million for the final quarter of 2005 and revenue for the year of between $128 to $130 million.

Random Thought 111

By Jim Pickerell | 1221 Words | Posted 11/1/2005 | Comments
This issue has stories on: Street Casting; Getty Model Release; Murphy Takes Over As Director of Development of Image Partners for Getty; More Production Shoots At Jupiter; Photographers Petition Supreme Court For Review Of Claim Against National Geographic; and Solicitor Swan Sets Up New Practice In UK

From Medio To Glow

By Jim Pickerell | 439 Words | Posted 11/1/2005 | Comments
Medio Images recently sold its file of 35,000 images with a heavy concentration of Latino and travel images to Getty. Next month they will launch a new brand called Glow and expect to have over 20,000 images in their offering by early next year.

Trends To Watch

By Jim Pickerell | 2213 Words | Posted 10/28/2005 | Comments
Looking ahead to 2006 there are two trends to watch. Distributors seem to moving - to acquire more imagery that they will wholly-own and to put more emphasis on working with production companies rather than individual contributors. This article explores these trends and has a number of recommendations for photographers.

Google's Digital Library Initiative

By Jim Pickerell | 1595 Words | Posted 10/28/2005 | Comments
Two Washington Post editorials discuss the pros and cons of the Google Digital Library initiative. Speaking for those in favor is Mary Sue Coleman, President of the University of Michigan and speaking for copyright protection is Nick Taylor, President of the Authors Guild headquartered in New York.

Press Releases 7

By Jim Pickerell | 2099 Words | Posted 10/25/2005 | Comments
This group of releases includes: ASMP Foundation Welcomes Grant Applications; Digital Railroad Delivers Aggregated Photo Marketplace and Annouces their Alignment with PicScout to Add Image Rights Tracking Services; iStockphoto Surpasses Half-Million Member Milestone; Masterfile Establishes Direct Sales Operations in France; and Photographers Laforet, Frakes, and Ashburn Choose PhotoShelter as their Online Image Archive.

Alternative Strategy For Subscription

By Jim Pickerell | 806 Words | Posted 10/24/2005 | Comments
A21 has acquired Ingram, a UK-based provider with a file of approximately 100,000 images that are offered for licensing by subscription, as CD-ROM or as single-image RF. The vast majority of these images are not wholly owned and royalties are paid when they are downloaded.

Getty Third Quarter 2005

By Jim Pickerell | 2875 Words | Posted 10/24/2005 | Comments
Getty Images reported $184.5 million revenue for Q3 of 2005. Revenue grew 19.9 percent. Also information about the acquisitions of Media Images and Rubberball. And Klein outlines the company's expectations as a result of the removal of some 3rd Party suppliers.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.