Articles by Jim Pickerell

Pond5 Introduces Backlots and Backlots+

By Jim Pickerell | 271 Words | Posted 4/9/2015 | Comments
Pond5, unveiled two new types of video content today—Backlots and Backlots+. Provided by partner CT Image, these digital backlots allow editors to flawlessly simulate background scenery from 25 of the world’s major cities in their video productions.

Shutterstock Workshops

By Jim Pickerell | 217 Words | Posted 4/7/2015 | Comments
If you’re thinking about submitting images to Shutterstock you might want to check out the next ShutterTalk Live streaming workshop, “Preparing Your First Photo Submission,” on Thursday, April 9 at 11am EST.

Shutterstock Eliminates Daily Download Limits

By Jim Pickerell | 388 Words | Posted 4/6/2015 | Comments
Shutterstock continues to make it easier customers to get the images they need via their subscription products. Until last week customers that purchased a subscription were limited to 25 downloads a day and a maximum of 750 per month for customers in the U.S. and Canada.

Photojournalism: What Is Too Much Post-Processing?

By Jim Pickerell | 451 Words | Posted 4/3/2015 | Comments
A photojournalist’s goal should be to supply the publications they work for with the best possible image that accurately reflects what they saw. If readers are to trust newspapers and magazines they must know that the images and information provided are an accurate representation of what really happened.

EyeEm Market Opens

By Jim Pickerell | 330 Words | Posted 4/1/2015 | Comments
In August 2014 EyeEm announced that it would be introducing a “Market” aspect to its social media site. Market has finally been launched. EyeEm was established in 2011 and currently has over 13 million users who post photos taken with their cell phones and comment on each other’s work. It is unclear how many images are on the site.

Surfacing Images For Greater Revenue

By Jim Pickerell | 975 Words | Posted 3/31/2015 | Comments (3)
One of the biggest problems for stock photographers is the percent of their images in major collections that haven’t been shown to any customer for years. I suspect that most of the major distributors aren’t even tracking this figure. If I had to guess I would estimate that as many as half the thumbnails in most online collections have not been viewed by any customer in the last two years.

Scoopshot Partners With Newzulu Expanding Crowdsourced Journalism

By Jim Pickerell | 379 Words | Posted 3/31/2015 | Comments
Global crowd-sourced media platform and live-streaming company, Newzulu, and mobile photo and video crowdsourcing service Scoopshot, have partnered to collect and market citizen generated content and offer untapped revenue opportunities to brands and publishers around the world.

Alamy Contract Changes

By Jim Pickerell | 586 Words | Posted 3/30/2015 | Comments
In mid-February Alamy published changes in its standard contract that were due to go into effect April 1st (45 days later). A number of photographers, particularly in the UK, had issues with certain clauses and a lively discussion ensued on the EPUK website.

BAPLA Rights Group Survey

By Jim Pickerell | 457 Words | Posted 3/27/2015 | Comments
In preparation for the BAPLA Focus on Copyright event in London on May 14, 2015, BAPLA is surveying its membership on the standards and pricing members employ for Web, Social Media and App use.

Marcel Saba Launches Vault Archives

By Jim Pickerell | 266 Words | Posted 3/27/2015 | Comments
Vault Archives has announced its debut into the stock photography industry. The New York-based agency offers the editorial and commercial photography market high-end imagery that is tastefully curated with authentic real life moments.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.