Articles by Jim Pickerell

Random Thoughts 21

By Jim Pickerell | 2087 Words | Posted 8/3/2000 | Comments
Stories in this issue include: Getty Call Center Statistics, Getty Pricing Strategy, Usage Fees Rising at Stock Connection, Cost of Credit Card Sales, Webshots Update, Boston Globe Update, AntiquesPortfolio Case in U.K., and new Managing Director at BIF in Mexico.

Corbis Contact Analysis

By Jim Pickerell | 4139 Words | Posted 7/14/2000 | Comments
The new Corbis contract has been released. The good news is that royalty percentages are up for photographers, no dispute over photographer copyright ownership, no future catalog fees, options for image-excluive and image non-exclusive contracts, monthly payments and more. Also still a few problem areas of concern. Details of interest to photographers and other agencies.

Direct Stock E-Commerce Offering

By Jim Pickerell | 299 Words | Posted 7/12/2000 | Comments
Direct Stock has secured a seven figure venture capital investment from Stonehenge Capital Corporation to reshape directstock.com into an operation that can compete with Getty and Corbis for on-line sales.

July 2000 Selling Stock

By Jim Pickerell | 5320 Words | Posted 7/10/2000 | Comments
Stories this month include: Stone Photographer Income Growth, Photographers Win On Copyright At Corbis, Outstanding 1st Quarter At Getty, Online Use, Getty/Geographic Deal, Freelances Sue Boston Globe, New Business Week Contract and Rates and other short items.

Random Thoughts 20

By Jim Pickerell | 1135 Words | Posted 7/3/2000 | Comments
Short news items include: eMotion Secures $34 Million, Update on Boston Globe Freelancer Suit, Patrick Donohue Joins Corbis, Getty Acquires IPL in Australia, Art Resources Represents French Museums and Speeding Request to Photographers at The Image Works.

New Developments in Filmmaking

By Jim Pickerell | 806 Words | Posted 7/3/2000 | Comments
Corbis has announced a new division - Corbis Documentaries - that will operate as a production company and develop innovative documentaries for television, theatres, and the Internet. On another front there is a resurgence in demand for short six minute films to be used on the net. Hollywood moguls are backing student projects.

Corbis Photographers Win On Copyright

By Jim Pickerell | 2393 Words | Posted 7/3/2000 | Comments
Corbis is listening to photographers and has made changnes in their position on copyright registration. The new clause that will be part of their New Standard Contract is included in this article.

Freelance Contributors Sue Boston Globe

By Jim Pickerell | 599 Words | Posted 6/14/2000 | Comments
Freelance writers, illustrators, and photographers of the Boston Globe have filed a class action lawsuit on behalf of one thousand freelancers, seeking an injunction in Massachusetts Superior Court against the Globe's unfair and deceptive trade practices.

Keywording in Other Languages

By Jim Pickerell | 494 Words | Posted 6/14/2000 | Comments
If you think it will be a snap to keyword your images so people using other languages can find them -- think again. To get some idea about how hard it is to translate keywords into multiple languages consider some of the fiascos major corporations have had in trying to market their products in other countries.

Impressive Income Growth for Stone Photographers

By Jim Pickerell | 561 Words | Posted 6/14/2000 | Comments
Between 280 and 300 Stone photographers earned in excess of $10,000 in 1st quarter 2000. Of these between 196 and 210 (70%) had 1st quarter 2000 earning that were 20% higher than 1st quarter 1999.

About Jim Pickerell

Jim began his career in 1963 as a freelance photojournalist in the Far East. His first major sale, a Life Magazine cover, was a stock photo of the overthrow of the Ngo Dinh Diem government in Saigon, Vietnam.

He spent the next ten to fifteen years focusing on assignment work, first as an editorial photographer, and later in the corporate area. He regularly filed his outtakes with several stock agencies around the world.

As the stock side of his income grew, Jim studied the needs of the stock photo market, and began to devote more of his shooting time producing stock images. At about this time the 1976 change in the copyright law went into effect, and the industry began to see rapidly growing demand by commercial and advertising users for stock images.

In the early 80's he helped establish the Mid-Atlantic chapter of American Society of Media Photographers (ASMP) and served as Vice President, President and Program Chairman over a period of six years. He served on the national board of ASMP for two years, was on the committee that produced the ASMP Stock Handbook in 1983, and was active in the fight to reverse the IRS rules that required capitalization of all expenses of stock photo production.

In 1989 he published the first edition of Negotiating Stock Photo Prices, a guide to pricing hundreds of stock photo uses. The fifth edition was published in 2001. In 1990, he began publishing Selling-Stock, a bi-monthly newsletter dealing with issues of interest to stock photographers and stock photo sellers, with particular focus on issues related to marketing stock images. Selling-Stock is recognized worldwide as the leading source of in-depth analysis of the stock photo industry. As a result of his many years in the industry and his work with Selling-Stock, Jim has an expert understanding of the stock photo industry, its standard practices and developing trends. He frequently provides consulting services on stock industry issues to photographers, stock agents and individuals in the investment community.

In 1993, his daughter, Cheryl, joined him in the business. Together they established Stock Connection, an agency designed to provide photographers with greater control over the promotion and marketing of their work than most other stock agencies were offering. The company currently represents selected images from more than 400 photographers.

At age 76, Jim continues to follow stock photo industry developments on a day to day basis and expects to continue to do so far into the future.