Do $1 Images Really Exist?

By Jim Pickerell | 354 Words | Posted 3/24/2010 | Comments
I am tired of seeing rights-managed sellers refer to microstock as $1 images. That is not what most people are paying, particularly those personal users who buy very few pictures. Actual prices are substantially higher, even for the smallest, Web-use only file sizes.

Direct-to-Buyer Sales on Rise

By Julia Dudnik Stern | 431 Words | Posted 3/24/2010 | Comments
As buyer budgetary pressures and competition continue to drive prices downward, production companies and solo practitioners are increasingly looking to maximize their earnings by cutting out the middleman.

Devaluing Your Images

By Jim Pickerell | 983 Words | Posted 3/23/2010 | Comments (2)
There is a persistent idea among many image creators that a photographer somehow devalues his work if he ever licenses it for low prices. Yet recent years have shown that volume can be as significant a factor as price, and there are numerous other considerations.

ID Release Handles Model, Property Releases via iPhone, iPod

By Julia Dudnik Stern | 187 Words | Posted 3/23/2010 | Comments (2)
New iPhone App ID Release aims to change the way photographers and filmmakers obtain model and property releases. Available through the Apple App Store, the app was designed by photographers Jay Corbett and Hans Neleman, both with substantial experience in stock imagery.

Footage.net Revamps, Launches Directory

By Julia Dudnik Stern | 108 Words | Posted 3/22/2010 | Comments
New York-based stock, archival and news footage search engine Footage.net has announced the relaunch of its Web site, complete with a new footage industry directory.

Two-Tier Pricing System Allows Pros To Capitalize on Small Uses

By Jim Pickerell | 1242 Words | Posted 3/22/2010 | Comments (5)
If stock photography as a profession is going to survive, we are going to have to find a way to develop a two-tier pricing system. One tier would be for commercial use of images, and the other for personal and small use.

Tips for Getting Good Video Interviews

By Gail A Mooney | 404 Words | Posted 3/21/2010 | Comments
More and more still photographers are getting into video because of the appeal of the hybrid still cameras that also shoot video.  Photographers love the visual coming out of these big chip cameras – what’s not to love?  But they quickly find out that if they aren’t just going to be laying visuals down to a music track, they will need to start thinking about their audio – specifically a narrative track or one driven by sound bites from interviews.  I work in the corporate sector, as well as create documentaries, so I do a lot of interviews.  The interviews, along with a scripted voiceover comprise my audio track and drive the story.  

Putting Together a DSLR Video Kit - And Why

By Gail A Mooney | 444 Words | Posted 3/21/2010 | Comments
I was in Chicago a couple of weeks ago and stopped by ZacutoZacuto is a business that has made outfitting DSLR cameras for video a specialty.  They have cleverly engineered an assortment of their party add-ons that take these cameras to a higher level.  They have also provided solutions to overcome some of these cameras shortcomings.  Depending on the genre you are working in, documentary work, corporate, indie films or photojournalism will ultimately determine which way you’ll need to “trick” these cameras out.

Multiple Income Streams For Photographers

By John Martin Lund | 571 Words | Posted 3/20/2010 | Comments
In the investment world it is a proven strategy to diversify your portfolio. The same is true as a professional photographer. This article explores different ways to diversify your income from printed coffee mugs to fine art prints to pay-for-click advertising...and the time to start is now!

Interview With Stock Shooter and Agency Owner Tom Grill

By John Martin Lund | 2015 Words | Posted 3/20/2010 | Comments
Tom discusses his strategies for success in stock photography with advice for both new and established stock photographers. He discusses what to shoot, the importance of RPI, selecting agencies and even what gear he uses.

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This stock photography news site focuses on the business side of photography with a special emphasis on stock photography. Our goal is to help photographers maximize their earnings based on the quality of their work and the commitment they are prepared to make to the trade. The information provided will be applicable to part-timers as well as full time professional photographers. We’ll leave it to others to teach photographers how to take better pictures.

Jim Pickerell launched his career as a photographer in 1963. In 1990 he began publishing a regular newsletter on stock photography. In 1995 the information was made available online as well as in print and was gradually expanded to a daily service. Click here for Pickerell's full biography.

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