Stock
Image Source has re-launched its photographer resource blog, IMSO (
http://www.imagesource.com/blog/), as part of its continued commitment to support photographers. Since early 2011 IMSO has provided industry trending information for photographers and image buyers. Following increasing popularity and success, Image Source took the decision to re-launch IMSO as a dedicated professional photographer resource featuring photography trends, tips, reviews and interviews with leading industry figures.
Serban Enache, CEO of Dreamstime has explained in a
blog post how Google’s new image search techniques make it more likely that unauthorized use of your images will increase. Every image producer should read this story.
Mobile photography has made huge strides in a short time. Customers are using images shot with mobile devices. Image distributors are accepting mobile images into their collections. And the quality improves with each new generation of phones. iStockphoto has just published list of
mobile photography tips that will help photographers produce images of commercial quality with their mobile devices.
There is increasing dissatisfaction among iSockphoto contributors as a result of
Googlegate, and other recent moves by iStock. Many of the approximately 5,000 exclusive contributors are exploring the option of giving up their exclusive and placing their images on multiple web sites. Shutterstock is actively pursuing iStock exclusive contributors and has created a direct email address,
wbva@fuhggrefgbpx.pbz, to guide them through the signup and approval process.
Many who license their images at Rights Managed or traditional Royalty Free prices believe it is impossible to earn significant revenue licensing images at microstock prices. This article offers some comparative analysis.
Jon Oringer, CEO of Shutterstock, has written a very
interesting piece about why being exclusive with one distributor doesn’t work for microstock photographers. I agree with his conclusion, but disagree with one of his major arguments.
The ever increasing demand for instant and breaking news images and the huge improvement in the quality of phone and compact camera photographs has prompted
Alamy to begin accepting photographs for its Live News service from mobile (cell) phone cameras and compact cameras.
Recently, a writer for Nikon Pro magazine asked me a series of questions in preparation for an upcoming article on the stock photography market. I have no idea how much of what I had to say will be used, but the questions were very appropriate for a readership of photographers with professional equipment who hope to make a little money from the images they produce.
iStock has provided an explanation on Google Drive issues described in my
previous post. The following was posted on the iStock forum late yesterday.
Sean Locke (one of iStock’s highest earning contributors) discovered recently that some of his best selling images are now available on GoogleDrive for
FREE. There is a major thread in the
iStock forum. I’ll try to summarize what seems to be known so far.
As a specialist in model released military photography (
http://www.photoshelter.com/c/militarystockphoto) for more than 30 years Hans Halberstadt has always actively pursued infringements of his work. Over the years he has recovered in excess of $200,000, often a few thousand dollars at a time, for various unauthorized uses.
Recently there has been a lot of talk in the U.S. press that “uncertainty” is the reason why the recovery is jobless, why businesses are sitting on billions in cash and why business leaders are cautious about expansion into new ventures. Uncertainty is also a major problem for stock photographers.
Recently several subscribers have asked questions, the answers to which might be of interest to all subscribers. So I’ve decided to share the questions and my answers here.
Getty photographer are complaining that their images aren’t being seen because over 365,360 iStock Exclusive+ images have been placed on the Getty site and are being given search return order preference. iStock photographers are complaining because images from various Getty brands are being pushed into The Agency Collection on iStock. TAC now contains at least 58,546 images.
At the end of 2012 the 423 had a combined total of 1,601,662 images on the iStock site and had grown their collections by 216,191 images (about 13%) during the year. However, it is interesting how this uploading breaks down. The top 20 uploaded 74,399 images (34% of the total). See their upload totals here.
The number of downloads from iStockphoto may have declined by 46% in 2012 compared to 2011 and almost 56% since 2010. This story explains in detail how we arrived at this figure and provides specific trend information on 194 of iStock's leading contributors.
Scoopshot has launched Scoopshot PRO that makes commissioning a photographer easier than ever. The service gives the media, ad agencies and other companies access to a global pool of professional and accredited amateur photographers, and the ability to set, manage and pay for assignments.
If contributor attitudes as expressed on web forums are any indication iStockphoto is headed downhill fast. Most of the discussion seems to be taking place on the
iStock official forum and at
Microstock Group. In this article I’ll try to examine the issues and summarize some of the points being made by various contributors.
There is a continual drive in the stock photography world to produce more images. But more images don’t necessarily result in more revenue – particularly if prices are continually lowered in an effort to try to license those images.
I’ve been asked, “What’s the average price that stock images are being licensed for today?” Most RM and traditional RF image contributors would agree that on average fees have been steadily declining over the last few years. The question is how much. In the last few weeks I have gathered sales data from a few of Getty’s Image Partners and major individual contributors. While this survey is in no way scientific, I believe I can draw some reasonable conclusions about the degree of the decline.
At the PACA International Conference in October, Christie Silver of McGraw Hill School Education Group provided details on where her team found images for a major reading program they have been working on this year. She also provided insights as to how educational publishers will be sourcing images in the future and pointed out that the main focus of all educational efforts these days is digital.
As we near the end of 2012, I’ve just received a copy of Alamy’s financial statement for 2011 that was filed with
Companies House in the UK in August of this year. In 2011 Alamy’s gross turnover was £14,853,670 (about $22,913,400). This was up $1,042,600 (about 4.8%) from $21,870,800 in 2010. However,
2009 revenue was $22,864,000 so in 2011 they were barely able to climb back from 2010's lost sales.
Due to an urgent need for North American imagery produced with a fresh approach
Image Source has announced that they will be offering a royalty rate of 60% for all imagery produced in North America and accepted between Dec 1st 2012 and through to Dec 31st 2013. The bonus royalty rate will apply for the lifetime of those images”, added Anthony Harris, the Group’s Chief Operating Officer.
If you think there is still a decent market for textbook usage of stock photos – think again. The following is a summary of a conversation yesterday between a picture researcher for a major U.S. textbook company and renown travel photographer
Wolfgang Kaehler.
What are the photographic and illustration subjects that clients look for most often? Recently, iStockphoto surveyed its customers and asked them to identify the subject categories that they searched for most frequently in 2012. See the
iStockphoto infographic.