ASMP’s “
The Future of Licensing” webinar with Frederic Haber, of the Copyright Clearance Center; Henry Oh, entrepreneur and digital content distributor; Eugene Mopsik, Executive Director of ASMP and Richard Kelly, moderator was held yesterday and can be downloaded here. Licensing was defined as a process that allows a customer to use something that is too expensive for them to own outright.
In the previous series of articles entitled
"Edication: How The Market Has Changed" we looked as some of the factors that have changed the educational market for images. This series of stories looks ahead. Not only have there been dramatic changes in the past, but the business of delivering educational materials to students is still very much in transition. There will certainly be a decline in the use of printed products, a growth in the delivery of educational material online and more use of video. Check out these stories for more about where things seem to be headed.
Shutterstock has announced a yearlong partnership with
TED, the non-profit dedicated to ideas worth spreading. This partnership is designed to encourage more dynamic, visual presentations from the world's most inspired thinkers. As part of this partnership, Shutterstock is providing complimentary subscriptions to speakers at TED2012 and TEDGlobal2012. Contributors whose images are downloaded as part of these subscriptions will receive their normal royalties.
Getty Images, Inc. has announced the release of
Connect by Getty Images, an innovative new content distribution service. This powerful and flexible API is designed to give Web publishers built-in access within their publishing tools to Getty’s images, as well as the search metadata associated with them.
The Granger Collection, a historical image library, has launched a mobile version of its website,
www.granger.com, that will make it fast and easy for picture professionals to search 25,000 years of world history from the palm of their hand.
An international alliance of publishers including seven member companies
of the Association of American Publishers, with support from AAP and
other international trade associations, has identified and taken legal
action against operators of one of the largest pirate web-based
businesses in the world.
ZUMA Press, the California-based news agency is now supplying
Alamy's live news feed with images from its global network of 3,000 photojournalists. Owned and run by renowned photojournalist Scott Mc Kiernan, ZUMA has also made its back catalogue available online through Alamy’s
living4media, the new home and living image agency, is expanding fast. Launched in April 2011 in Germany, the online collection is already available in 43 countries. This rapid growth can be put down to the long experience and established global distribution network of the agency’s parent company,
StockFood, the world’s leading food media agency.
Juice Images, the UK-based, high-end, RF image producer has just exceeded the 30,000 image mark. The images span a range of in-demand categories including Business, Industry, Education and Medical as well as more general Lifestyle.
VII has announced that two of its member received top awards in two of the 9 categories in the 2012 World Press Photo Contest. Stephanie Sinclair, received a First Prize for Conterporary Issues stories and Donald Weber a First Price for Portaits.
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This stock photography news site focuses on the business side of photography with a special emphasis on stock photography. Our goal is to help photographers maximize their earnings based on the quality of their work and the commitment they are prepared to make to the trade. The information provided will be applicable to part-timers as well as full time professional photographers. We’ll leave it to others to teach photographers how to take better pictures.
Jim Pickerell launched his career as a photographer in 1963. In 1990 he began publishing a regular newsletter on stock photography. In 1995 the information was made available online as well as in print and was gradually expanded to a daily service.
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