Adobe Visual Trends

By Jim Pickerell | 373 Words | Posted 7/19/2018 | Comments
Adobe just released its latest 2018 visual trend, “Creative Reality,” exploring surreal utopias and vibrant color palettes as well as the ways artists are reflecting this new day-glow-infused reality in their work. From art exhibits on Burning Man to immersive projects like Summerland, artists are creating new worlds filled with eccentric textures and hyper-sensorial experiences.

What To Shoot

By Jim Pickerell | 738 Words | Posted 7/18/2018 | Comments
After reading last weeks stories Are Photographers Shooting What’s In Demand? and What To Shoot: Learning From iStock a photographer sent the following:
    ...shoot what stirs your mind...
    ...shoot what you think others might not...
    ...shoot what you believe you're good at...
    ...shoot what's reasonably accessible...

    ...that's all...bye-bye now...

Getty Contributors: Are Your Images All There?

By Jim Pickerell | 550 Words | Posted 7/17/2018 | Comments
If you’ve been a Getty contributor for a long time you might want to check to see if all the images they have accepted over the years are still in the collection. Jonathan Nourok (www.jonathannourok.com ) has been contributing his botanical images to Getty Images since it was Tony Stone Images almost 30 years ago. He also posts some of the same images on his own website, but since he has an exclusive agreement for licensing with Getty he notes on his website that the images are only available for licensing through gettyimages.com.

Getty, iStock, Shutterstock Comparisons

By Jim Pickerell | 360 Words | Posted 7/17/2018 | Comments
Recently I’ve done three stories examining various aspects of the collections at Getty and iStock and Shutterstock. The chart below provides easy comparisons of these three collections.

What’s In Demand At Shutterstock

By Jim Pickerell | 1425 Words | Posted 7/16/2018 | Comments
I’ve examined the number of images in certain keyword categories at Getty and iStock. Today, I’ve done a count of the number of Shutterstock images with the same keywords as the other two agencies to see if it is possible to draw any comparisons. I'll take a look at the comparisons of collection size between Getty and Shutterstock. In addition there are some interesting things to be learned when comparing the number of photos with the number of illustrations on the Shutterstock site.

What To Shoot: Learning From iStock

By Jim Pickerell | 683 Words | Posted 7/12/2018 | Comments
In the previous story I examined the Getty Image Creative collection, and in particular EyeEm’s contribution to that collection, in and effort to determine what subject matter might be in greatest demand, and thus most needed. iStock offers some interesting insights into the subject because it basically has two separate collections – Signature and Essentials – with imagery at different price points.

Are Photographer Shooting What’s In Demand?

By Jim Pickerell | 870 Words | Posted 7/12/2018 | Comments (1)
If the major stock distributors want to sell more pictures it might be a good idea to give photographers more information about the relative demand for certain subjects in terms of number of images licensed and revenue generated by images with certain keywords. If occurred to me that the fastest growing collection on Gettyimages.com is EyeEm. Currently there are 26,024,940 images in the Getty Creative collection and 4,620,578 or 18% of them have been supplied by EyeEm. A little less than two years ago EyeEM only had 256,152 image in the collection.

Getty Creative Collection: 2016 & 2018

By Jim Pickerell | 2142 Words | Posted 7/11/2018 | Comments
This story provides some comparative figures of the 205 brands represented in the Getty Images Creative collection between August 2016 and June 2018. There were 15,001,453 images in the collection in 2016 and 23,922,471 today, a 37% increase overall in two years.

ACSIL and Thriving Archives Launch New Footage Industry Survey

By Jim Pickerell | 449 Words | Posted 7/10/2018 | Comments
The ACSIL Global Survey of Stock Footage Companies 4 is open now for participation. All footage companies worldwide are invited to participate in this fourth study of the stock footage industry. ACSIL and Thriving Archives today announced the launch of the ACSIL Global Survey of Stock Footage Companies 4 (AGS4), their fourth survey of the global footage business. The 47-question survey is being conducted online, and all footage companies worldwide are invited to participate. The online survey is open now through August 13, 2018, and can be accessed at www.thrivingarchives.com/ags4.

Copyright Law Rejected In EU Vote

By Jim Pickerell | 150 Words | Posted 7/9/2018 | Comments
A controversial bill in the EU seeking a rewrite of Europe’s copyright laws giving creators more power to restrict how their content is distributed has been rejected by lawmakers.  The vote was 318 against the legislation, known as The Copyright Directive, while 278 voted in favor, and 31 abstained, taking the reforms back to the drawing board.

Getty Pays Melania Trump Royalties

By Jim Pickerell | 647 Words | Posted 7/6/2018 | Comments
NBC News has reported that “News media paid Melania Trump thousands for use of photos in ‘positive stories only.’” President Donald Trump’s most recent financial disclosures revel that the first lady earned between $100,000 and $1,000,000 in photo royalties in 2017 from Getty Images. (Federal officials are only required to give an income range in their filings.

Globe Photos Resurrected As Fine Art Offering

By Jim Pickerell | 475 Words | Posted 7/5/2018 | Comments
From the 1940s through the 80s and 90s Globe Photos, Inc. was widely regarded by newspapers and magazines as a leading source for celebrity images. As other competitors entered the market Globe’s popularity faded, but they still have photographers covering red carpet events on a daily basis in Hollywood and New York. In recent years Globe Photos was one of 12 archives acquired by Capital Art, Inc., the world’s largest pop culture and image licensing company with more than 15 million images of every movie and entertainment celebrity of the 20th century.

VCG Closes 500px Marketplace: Abandons Creative Commons

By Jim Pickerell | 448 Words | Posted 7/2/2018 | Comments
On Saturday Visual China Group (VCG) shut down 500px Marketplace and replaced it with a distribution partnership arrangement. China users will be able to license the images through VCG who acquired 500px earlier this year. Getty Images will handle all licensing in the rest of the world.

The MEGA Agency Launches “The Mega Cloud”: Actively Seeking Contributor Archives

By Jim Pickerell | 767 Words | Posted 7/2/2018 | Comments
The Mega Agency, a leading provider of news, sport and entertainment content, is now giving photographers a quick, easy and efficient way to upload their digital archives. The initiative has been launched to add rich editorial content to Mega’s existing archive of more than 30million images and daily production of 10,000 images.? 

Microstock Agency Sizes

By Jim Pickerell | 1067 Words | Posted 6/29/2018 | Comments
Other than Shutterstock’s quarterly reports and occasional bits of information from Getty concerning iStock there is virtually no solid information available regarding the annual gross revenue generated by the microstock companies. I decided to take a look at the Poll information that can be found on Microstockgroup.com of 10 of the leading microstock agencies to see if I could draw any reasonable conclusions about the annual revenue of these companies.

The Mega Agency Becomes Premium Content Partner For AMI

By Jim Pickerell | 391 Words | Posted 6/27/2018 | Comments
The Mega Agency has signed a deal with American Media, Inc. (AMI), the leading publisher of celebrity journalism and health and fitness magazines in the United States, that makes it AMI’s premium content partner. Mega already globally syndicates exclusive content for AMI, which owns and operates the leading print and digital celebrity and active lifestyle media brands in the United States.

Photononstop Not Paying For Keywording

By Jim Pickerell | 217 Words | Posted 6/26/2018 | Comments (2)
Lohian Networks a keywording agency in India reports that Paris based Photononstop has not been paying its bills and may be in financial difficulty. Rashi Jain, Project Coordinator for Lohian Networks reports that in 2016 his company keyworded 3788 images for Photononstop at a rate of $1.25 per image for a total cost of $4,735.00. Invoices were sent in June and July 2016 via Photosindia in the U.S. Almost two years later these invoices have not been paid after repeated followup requests.

Olycom Files Bankruptcy: Acquired By LaPresse

By Jim Pickerell | 228 Words | Posted 6/26/2018 | Comments
Olycom, a major Italian photographic agency headquartered in Milan and founded in 1958 by Walfrido Chiarini as Olimpia Fotocronache has filed for bankruptcy. Everything regarding debts is in the hands of a judge. LaPresse, the Italian multimedia news agency led by Marco Durante, has acquired the analog and digital libraries of Olycom including the Publifoto brand, the historical archives Olimpia and Olycom and related brands covering the whole of the twentieth century, with a collection of over 15 million images.

Will EU’s Article 13 Help Photographers?

By Jim Pickerell | 855 Words | Posted 6/25/2018 | Comments (2)
Last week, the European Parliament’s Committee on Legal Affairs approved amendments to the EU’s Directive on Copyright in the Digital Single Market. EU’s Directive on Copyright in the Digital Single Market. Among the amendments approved was Article 13.

Scope Feature Folds In UK

By Jim Pickerell | 185 Words | Posted 6/21/2018 | Comments
Scope Features in the UK has gone into voluntary liquidation with nearly £400,000 in unpaid debts and nearly £13,000 in royalties still owed photographers. According to its statement of affairs filed at Companies House on 17 May, individual photographers are owed sums ranging from £30 to more than £2,000.

Is Getty Really Analyzing Its Image Collection?

By Jim Pickerell | 1505 Words | Posted 6/20/2018 | Comments
One has to wonder if Getty does any analysis of their Creative Collection in terms of what sells and what doesn’t. Clearly, as we reported yesterday, the largest and fastest growing segment of the Getty collection is EyeEM with 4,558,201 RF images. Back in August 2016 EyeEm had only recently started contributing to Getty Images and had 256,152 images in the collection. They have 17.79 times as many images now as in 2016. At that time Getty had a total of 16,687,710 images in the Creative Collection. That collection has grown 43% in size in two years, but nothing like EyeEm’s 1779% growth.

Getty Images Collections

By Jim Pickerell | 2550 Words | Posted 6/19/2018 | Comments (3)
In this report I have searched each of the different RM and RF collections on the Creative section of www.GettyImages.com to determine the number of images in each collection. Collection sizes vary greatly from EyeEm with 4,558,201 RF images to Silkroad Images, PictureIndia, Chic Sketch and Corbis Historical, all with fewer than 200 images each.

SilverHub Going Into Administration

By Jim Pickerell | 181 Words | Posted 6/18/2018 | Comments
Sources tell me that in an all-staff conference call on Wednesday, June 13, 2018, Nick Evans-Lombe and Adrian Murrell informed the SilverHub.Media staff that the company would be going into administration, the UK version of bankruptcy protection.

Disrupting Stock Photography

By Jim Pickerell | 821 Words | Posted 6/14/2018 | Comments (2)
Tom Zimberoff has written a very long and detailed story on Distrupting Stock Photography which makes some strong points about how the industry got to where it is today. Toward the end of his report he outlines a new business model which he calls “Business Made Easy For Photographers.”

Copyright Office Proposes 41% increase

By Jim Pickerell | 620 Words | Posted 6/13/2018 | Comments
The U.S. Copyright Office is proposing changes to fees for copyright registration. The Office has issued a statement outlining the proposed changes in detail, but on average, fees will increase by as much as 41%. According to the statement, the Office analyzed potential changes to fees and wants to ensure that they are “fair and equitable and give due consideration to the objectives of the copyright system,” as required by the statute.