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Mega Agency Launches Service To Fight Copyright Infringement

By Jim Pickerell | 395 Words | Posted 9/24/2018 | Comments
The Mega Agency has launched an innovative new service to fight widespread copyright infringement – Mega Image Police (MIP). The company, a leading provider of news, sports and entertainment content, has beta launched an initiative to quickly identify stolen content and actively pursue damages on behalf of its growing global contributor base.

Is Visual Evidence Fact?

By Jim Pickerell | 654 Words | Posted 9/21/2018 | Comments
When I entered the photography profession “Seeing Was Believing.” If there was a visual record of something, then it really happened. Photos were much more important records of events than just words. A still image might not provide an accurate, overall understanding of a particular event, but at least it was an accurate rendition of a moment in time. No more!

Article 13: Copyright Protection

By Jim Pickerell | 721 Words | Posted 9/20/2018 | Comments (1)
All photographers around the world who are trying to control and earn money from their work should watch, very carefully, what the European Parliament does with Article 13 of its Copyright Directive. The final EU decision could greatly benefit all photographers whether they live in the EU or not. Tech industry leaders, like Google and YouTube, strongly oppose this legislation, because it could force them to use automated content filtering systems to insure that copyrighted material is not being distributed without permission on their platforms. The law states that digital companies should put "effective content recognition systems" in place.

Conceptual Realism: Is That What Customers Are Buying?

By Jim Pickerell | 614 Words | Posted 9/20/2018 | Comments (2)
Getty Images has just sent out a promotion – probably mostly to photographers – to show Conceptual Realism. The implication is that customers want more of this type of imagery and photographers should be shooting more of it and supplying it to the agency. Is Such Imagery Really What Customers Want? I can’t believe that most of what is being shown in this gallery are images that customers are actually licensing for use.

Getty Debt

By Jim Pickerell | 1330 Words | Posted 9/18/2018 | Comments
Many in the industry are concerned about the level of Getty Images debt and what that might mean for the future of the company. The following is some general information about the financial status of the company. It is not clear how the debt might affect the future. Getty Images has about $2.367 billion in debt. About $1.8 billion of that is in Term Loans at 4.37%. Back in 2012 they had about $2 billion in Term Loans so in the past six years it appears they have paid down about $200 million of the principal in addition to the annual interest. The terms of these loans is unclear and may vary.

Getty To Supply Amazon Echo Users With Photos

By Jim Pickerell | 520 Words | Posted 9/17/2018 | Comments
Getty Images, has agreed to make Getty’s award-winning collection of sports, news, entertainment, archival and creative images available to enhance the voice responses from Alexa on all Echo devices with a screen. Exactly how image creators will be compensated for this use of their images has not been explained.

Storyblocks Changes Marketplace Commission Structure

By Jim Pickerell | 496 Words | Posted 9/14/2018 | Comments
In an effort to drive more Marketplace sales Storyblocks has lowered its commission to 50%. When the company (then known as Videoblocks) launched its Marketplace offering in 2015 the company offered still images and video clips at dramatically, discounted prices compared to its competitors. However, they paid creators 100% of the money received from the licensing of their work. As a result creators ended up earning more for each image licensed than they would if the image was licensed by one of the other stock agencies that paid royalties that were a small percentage of the total license fee.

Landslide Vote on Copyright Directive in EU

By Jim Pickerell | 462 Words | Posted 9/14/2018 | Comments
On September 12th the European Parliament voted in favor of a Copyright Directive by more than 200 votes. The Directive will provide tools to ensure fair remuneration for creators. The landslide vote is clear evidence that the EU intends to apply some controls on the tech giants.

Image Quest Marine Appoints New Library Team

By Jim Pickerell | 194 Words | Posted 9/13/2018 | Comments
Specialist marine photo library, Image Quest Marine, is re-launching with the appointment of a new library team. Eleanor Novick is joining the archive as Library Manager, bringing 10 years of industry experience, including over six years working as Senior Picture Researcher at Lebrecht Photo Library.

Preliminary Income Survey Results

By Jim Pickerell | 390 Words | Posted 9/12/2018 | Comments
On August 31st I published the Photog Income Survey in an effort to get a better idea of what photographers worldwide are able to earn annually from the images they produce. To see all eight questions and some background information before starting to respond to the survey click on this link.

Obituary: Scott Braut (1971-2018)

By Jim Pickerell | 392 Words | Posted 9/12/2018 | Comments
Scott Andrew Braut passed away on September 7, 2018, just short of his 47th birthday. Known for his big smile and engaging stories, Scott touched everyone he met. After his family, Scott's passion was photography. Known throughout the industry as a tireless advocate for photographers, Scott spoke around the world empowering individuals and businesses to create content.

Survival Rights

By Jim Pickerell | 773 Words | Posted 9/6/2018 | Comments
In today’s stock photo environment, the concept of “survival rights” in a contractual agreement between photographer and stock agency no longer makes sense. Many stock photo agencies have clauses in their photographer contracts that allow the Agency to continue to license rights to the photographer’s images for years after either the photographer or the agency terminate the agreement. If the agreement is “exclusive” then the photographer cannot do anything to try to generate revenue from the images, even if the Agency has not been generating much, or any, revenue from them for the photographer.

Vimeo Launches Stock Footage Marketplace

By Jim Pickerell | 647 Words | Posted 9/5/2018 | Comments
Vimeo has announced the launch of Vimeo Stock, a new global, royalty-free stock marketplace featuring an exclusive collection of high-quality video footage sourced directly from Vimeo’s community of iconic creators. Vimeo Stock unlocks content from Vimeo’s world-renowned community of storytellers, redefining what stock footage can and should look like. Vimeo Stock contributors keep 60-70 percent of revenue generated from their licensed clips (versus the average industry cut of ~35 percent), while subscribers to Vimeo’s paid membership plans always save 20 percent on all stock purchases.

Getty Images Press Release

By Jim Pickerell | 797 Words | Posted 9/5/2018 | Comments
The Getty family has taken full control of Getty Images Inc. from The Carlyle Group ("Carlyle"). Through the transaction, the Getty family will acquire all of Carlyle's equity interests in Getty Images for cash plus units that provide Carlyle with an ongoing financial interest in the future growth of the Company. The transaction is subject to customary closing conditions and is expected to close by the end of the third quarter of 2018.

Carlyle Out: Getty Images Back In Getty Family Hands

By Jim Pickerell | 168 Words | Posted 9/4/2018 | Comments
The Getty family is acquiring all of the Carlyle Groups 51% equity stake in Getty Images for about $250 million and rolling over about $2.35 billion of outstanding debt. The deal gives Getty Images an enterprise value of under $3 billion compared to $3.3 billion in 2012 when Carlyle acquired a majority stake in Getty. At that time Carlyle invested about $500 million in the company. It is believed that the Getty family has ended up owning a significant portion of the debt.

Most Photographed Cities

By Jim Pickerell | 883 Words | Posted 9/4/2018 | Comments (2)
I saw a story recently that said Dreamstime had identified Kiev as the 15th most photographed city in the world. That surprised me. as I had expected a lot of other cities to be much higher in terms of tourist destinations than Kiev. I couldn’t find the original Dreamstime story in order to see who they had as number 1, but I found a lot of other lists of top cities and top travel destinations. They were all differed depending on who put together the list. I found one list of “25 Most Photographed Cities in Europe” and Kiev wasn’t on it. I decided to search Shutterstock’s collection of 216,094,727 images to see which were the top cities with the most photos.

Editorial Photographer Income Survey

By Jim Pickerell | 587 Words | Posted 8/31/2018 | Comments
I have created a SurveyMonkey survey in an effort to gather data on the general income ranges of Editorial Still Photographers around the world. Go to this link to respond to the survey: https://www.surveymonkey.com/r/PhotogIncomeSurvey Please encourage all editorial still photographers to respond to this survey. The resulting data could be very helpful to photography students, working photographers, the organizations that license rights to use editorial photography and those who purchase editorial photographs.

Imaginechina Wins Infringement Case Against Baidu Inc.

By Jim Pickerell | 430 Words | Posted 8/29/2018 | Comments
Imaginechina, has recently won 38 copyright infringement lawsuits against Nasdaq-listed Baidu Inc., the largest search engine and one of the biggest Internet companies in China. The Haidian People’s Court in Beijing adjudicates in the first-instance verdicts that Baidu and its affiliates have pirated a total of 150 images from 20 contracted photographers and that Baidu ought to compensate the plaintiffs RMB 415,000 yuan ($60,940) for the violations and the related costs.

ImageRights Tackles Copyright Infringement in Germany

By Jim Pickerell | 353 Words | Posted 8/29/2018 | Comments
ImageRights International Inc. has intensified its image search and copyright enforcement operations in Germany to drive value for its global photographer and photo agency client base.  ImageRights-developed artificial intelligence (AI), combined with its proprietary web search and image analysis algorithms, has enabled the company to analyze millions of German web domains to determine if an image use could be pursued for copyright enforcement purposes.

Blend Images Being Absorbed By Tetra

By Jim Pickerell | 1368 Words | Posted 8/29/2018 | Comments
Blend Images photographers have been notified that Tetra Images has acquired the Contributor Contracts, Distribution agreements and the Blend trademark. Tetra has securely obtained all banking data from Blend and will be mailing the first pdf royalty statements for August sales by email at the end of September. Payment for August sales will be made October 1, 2018. Blend has invoiced all licenses through July 2018 and will be paying out royalties until October, or presumably until all the licenses have been collected.

Shutterstock Download Trends

By Jim Pickerell | 697 Words | Posted 8/24/2018 | Comments
A multi-year review of Shutterstock download trends going back to Q3 2010 provides some interesting insights into how adding more images to the collection relates to sales growth. (See chart) Back in 2010 Shutterstock had 12.3 million images in its collection and 11.1 total downloads for that quarter. In theory the more choice you offer your customers the more sales you are likely to make. That pretty much held true through 2012 as Shutterstock almost doubled the size of its collection.

SmartFrame Technologies Completes Funding Round

By Jim Pickerell | 547 Words | Posted 8/21/2018 | Comments
SmartFrame has developed a revolutionary, patent-pending new image format for the internet that seeks to redefine and become the ubiquitous digital image standard. Having spent 5 years developing the technology and building the infrastructure to support exponential growth, SmartFrame is now seeing the technology being adopted by photographers, picture agencies, publishers and brands globally and is on target to having over 1 billion SmartFrames on the Internet in the next 4 years.

Shutterstock Update: Creator Earnings?

By Jim Pickerell | 633 Words | Posted 8/20/2018 | Comments
At the end of 2017 Shutterstock had about 300,000 “active contributors.” In the press release put out on August 1, 2018 they said, “Since the launch of Shutterstock, more than 450,000 photographers, artists and designers have become contributors to our platform.” Since it is hard to believe that they added 150,000 new contributors in just six months, I suspect they make a distinction between “active contributors” and “all people who have ever contributed” in their 15-year history. We asked their PR department, but got no clarification.

A.I. Gigapixel: Copyright Destroyer

By Jim Pickerell | 342 Words | Posted 8/20/2018 | Comments
Photographers who think they can protect the images they post online by only uploading small files need to think again. Now with Topaz Labs $99 A.I. Gigapixel program anyone can re-size any images they find online, make it up to 600% larger than its original size and also improve sharpness. For more about how it works check out this YouTube video.

Two Pricing Tiers: Licensed And Non-licensed

By Jim Pickerell | 1056 Words | Posted 8/17/2018 | Comments
It is amazing to me that no agency has created a two-tier stock photo marketing system similar to iStock’s, but for Licensed and Unlicensed images rather than Exclusive and Non-Exclusive. iStock has priced their Signature image collection 3 times higher than its Essemtial, Non-Exclusive collection. And they pay contributors a higher royalty rate for images licensed from the Signature collection.

CEO Andy Harding Leaving Alamy

By Jim Pickerell | 56 Words | Posted 8/16/2018 | Comments
Alamy has announced that current CEO Andy Harding will leave the business by mutual consent. Alamy Chairman, James West will resume accountability as CEO with immediate effect. James West commented “We would like to thank Andy for his significant contribution to the business since his arrival last year and we wish him every success in his future endeavors.”

The Mega Agency Partners With Aller Media

By Jim Pickerell | 286 Words | Posted 8/16/2018 | Comments
Aller Media a leading publisher of celebrity, human touch and women’s magazines in Denmark, has announced it has partnered with The Mega Agency, who will become a preferred content partner. The deal, signed earlier this month, gives Aller Media access to The Mega Agency's breaking news content and rich archive of news, sport and entertainment photographs and videos, and further enhances the close relationship between the two media companies.

ACSIL Los Angeles Meet-Up

By Jim Pickerell | 274 Words | Posted 8/15/2018 | Comments
ACSIL, Association of Commercial Stock Footage Licensors, has organized a Footage Meet-Up in Los Angeles on October 20, 2018, just before the start of the DMLA Conference that will be held October 21st to 23rd. The Footage Meet-Up will be held at the Getty Images office in LA at 6300 Wilshire Blvd on the 16th Floor from 2pm to 7pm. Attendance for footage buyers is Free, but due to limited space registration will be required. If you are interested in attending go here before September 17, 2018 to register.

WebPurify: New DMLA Sponsor

By Jim Pickerell | 306 Words | Posted 8/14/2018 | Comments
WebPurify, a full-service digital content moderation and review company with over 12 years experience is a new sponsor of the Digital Media Licensing Association (DMLA). The Irvine, CA based company’s mission is to maintain the quality and integrity of media libraries. WebPurify’s offers a combination of live content moderators and AI technology that can be a huge asset to stock photography websites in helping to curate, manage and moderate the copy associated with images and videos.

Fine Art Photography Earning Potential

By Jim Pickerell | 157 Words | Posted 8/14/2018 | Comments
If you’re hoping to earn significant money from Fine Art Photography you should read Conor Risch’s Photo District News article regarding a recent survey by the Creative Independent. More than 1,000 visual artists of all types (not just photographers) responded to the Creative Independent survey. Nearly 60 percent of respondents make less than $30,000 per year, and 35 percent make $20,000 or less per year from their fine art work.

Part-time Photographers: Are They The Future?

By Jim Pickerell | 1253 Words | Posted 8/13/2018 | Comments
Will part-time photographers be able to supply all the future needs of professional photo users? This is one of the most interesting questions facing the stock photo industry today. There is no question that part-time photographers occasionally produce beautiful, creative, exciting images. Sometimes these images are better than anything produced by full-time professionals.

More On ICL And Avoiding Infringements

By Jim Pickerell | 1767 Words | Posted 8/9/2018 | Comments (1)
Laura Annick asked some questions concerning my article about the concept of an ICL. Here are her comments and my response. You're assuming that 100% of all creators will have uploaded their images and thus if a searcher cannot find an image, then it must be free to use. As you know there are TONS of independent filmmakers out there. It could take quite a long time to get EVERYONE to upload their images. I would rather see a notice saying "Image Not Found, Further Research Needed" or Use at Own Risk.

Recipe For Disaster

By Jim Pickerell | 865 Words | Posted 8/8/2018 | Comments
A key to success of any business is supplying customer what they need and want. Sometimes you can sell them things they don’t need, but there is a limit as to how long you can survive with that strategy. Image user don’t want more images. They want to find exactly the right image quickly. They don’t want to be editors. They want someone to do the editing for them. Most don’t have a lot of time to waste.

2018 DMLA Conference in LA

By Jim Pickerell | 545 Words | Posted 8/7/2018 | Comments
The annual Digital Media Licensing Association (DMLA) conference will be held in Los Angeles this year on October 21-23, 2018 at the Marriott Marina del Rey Hotel. The hotel is within walking distance of the vibrant and eclectic Venice Beach and just a short drive from the gorgeous Santa Monica Beach.

Picture Researcher Needed

By Jim Pickerell | 1257 Words | Posted 8/6/2018 | Comments
Recently, I received a call from the developer of a real estate website who is looking for a picture researcher to help him find images to illustrate the stories he will publish on his website. He is looking for “free” pictures, but has determined that it takes too much time, and is too much hassle, to do the research on the free sites himself. He is willing to pay someone to do that research, but not pay for the photographs.

NY Daily News Photographers Terminated

By Jim Pickerell | 361 Words | Posted 8/3/2018 | Comments
The New York Daily News a daily tabloid newspaper founded in 1919, and as of May 2016 the United States’ ninth-most widely circulated daily newspaper, eliminated the jobs of all 10 staff photographers as of July 23, 2018. In addition to the photographers two photo editing staff positions were also eliminated.

Model Releases: A Cautionary Tale

By Jim Pickerell | 516 Words | Posted 8/2/2018 | Comments
Photographers know they must have signed model releases for any non-news pictures they want to offer for licensing as stock photos. Commercial stock agencies like Getty Images or Shutterstock won’t accept photos unless they are accompanied by a signed release. But, do the photographers, or the models have any idea how the pictures might be used? Caution! Don’t let any of your models read The Indian Express story about Shubnum Kahn’s modeling  experience.

Shutterstock Q2 2018 Financial Results

By Jim Pickerell | 933 Words | Posted 8/1/2018 | Comments
Shutterstock has reported Q2 2018 revenue of $156.6 million up $22.6 million or 16.9% compared to Q2 2017. (The comparison excludes the 2017 revenue from Webdam which was divested in Q1 2018.) Revenue per download averaged $3.41 per image, an increase of 12% over Q2 2017. (Much of this growth is probably due to increased sales of video content offered at much higher prices than still image content.)

Getty: More Concentration On Exclusive RM

By Jim Pickerell | 1158 Words | Posted 7/31/2018 | Comments (2)
Getty is contacting its RM photographers with non-exclusive or co-exclusive agreements and asking them to convert all their images in the Getty collection to exclusive so Getty will be the only organization that can license rights to use the images. This may be a particularly difficult decision for photographers with co-exclusive arrangements if they typically license a fair number of uses directly to clients annually. All those future sales will be lost.

Beer Stock

By Jim Pickerell | 681 Words | Posted 7/30/2018 | Comments
According to The Takeout Anheuser-Busch has launched two Royalty Free collections of stock images featuring properly served beer, with diverse consumers and brewers, and myriad beer styles all found in contemporary settings on the free sites Pexels and Unsplash.

Who Are The Users Of Stock Photography?

By Jim Pickerell | 597 Words | Posted 7/27/2018 | Comments
I was asked recently if I had a breakdown of the stock images uses by various categories of industry users. The answer is NO, and as far as I know no one else has done that type of analysis. However, it occurred to me that it might be useful to develop some broad general ideas of what the breakdowns might be.

Will An ICL Work?

By Jim Pickerell | 2681 Words | Posted 7/27/2018 | Comments (1)
Sheron Resnick of 20/20 Software has sent a brief note with very cogent arguments as to why my ideas for an Image Creator Locator are impractical and probably won’t work. In this story I would like to examine some of her concerns and criticisms and offer some thoughts on each of the issues mentioned.

Avoiding Infringements Rather Than Chasing Unauthorized Users

By Jim Pickerell | 1899 Words | Posted 7/25/2018 | Comments (1)
The biggest problem for the stock photography industry today is that in order to make customers aware that photos exist they must be online. Once online, anyone can easily grab and use them.? If the image is on the photographer’s, or a stock agency site, most users would infer that they should contact the photographers or agency and ask permission. But, more often than not, the picture is seen on Facebook, Pinterest, Instagram or some other site. No one, just looking at the image is sure whether it can be legally used or not. And if it should be licensed where to go to do that.

Fair Use or Infringement?

By Jim Pickerell | 325 Words | Posted 7/24/2018 | Comments (1)
The legal definition of “Fair Use” is open to a lot of interpretation by courts. in Brammer v. Violent Hues Productions, LLC, a Northern District of Virginia court recently found in favor of Fair Use. If this decision becomes legal precedent then photographers should assume that if one of their images can be found on the Internet, or anywhere else, anyone can use it for free.

Adobe Visual Trends

By Jim Pickerell | 373 Words | Posted 7/19/2018 | Comments
Adobe just released its latest 2018 visual trend, “Creative Reality,” exploring surreal utopias and vibrant color palettes as well as the ways artists are reflecting this new day-glow-infused reality in their work. From art exhibits on Burning Man to immersive projects like Summerland, artists are creating new worlds filled with eccentric textures and hyper-sensorial experiences.

What To Shoot

By Jim Pickerell | 738 Words | Posted 7/18/2018 | Comments
After reading last weeks stories Are Photographers Shooting What’s In Demand? and What To Shoot: Learning From iStock a photographer sent the following:
    ...shoot what stirs your mind...
    ...shoot what you think others might not...
    ...shoot what you believe you're good at...
    ...shoot what's reasonably accessible...

    ...that's all...bye-bye now...

Getty Contributors: Are Your Images All There?

By Jim Pickerell | 550 Words | Posted 7/17/2018 | Comments
If you’ve been a Getty contributor for a long time you might want to check to see if all the images they have accepted over the years are still in the collection. Jonathan Nourok (www.jonathannourok.com ) has been contributing his botanical images to Getty Images since it was Tony Stone Images almost 30 years ago. He also posts some of the same images on his own website, but since he has an exclusive agreement for licensing with Getty he notes on his website that the images are only available for licensing through gettyimages.com.

Getty, iStock, Shutterstock Comparisons

By Jim Pickerell | 360 Words | Posted 7/17/2018 | Comments
Recently I’ve done three stories examining various aspects of the collections at Getty and iStock and Shutterstock. The chart below provides easy comparisons of these three collections.

What’s In Demand At Shutterstock

By Jim Pickerell | 1425 Words | Posted 7/16/2018 | Comments
I’ve examined the number of images in certain keyword categories at Getty and iStock. Today, I’ve done a count of the number of Shutterstock images with the same keywords as the other two agencies to see if it is possible to draw any comparisons. I'll take a look at the comparisons of collection size between Getty and Shutterstock. In addition there are some interesting things to be learned when comparing the number of photos with the number of illustrations on the Shutterstock site.

What To Shoot: Learning From iStock

By Jim Pickerell | 683 Words | Posted 7/12/2018 | Comments
In the previous story I examined the Getty Image Creative collection, and in particular EyeEm’s contribution to that collection, in and effort to determine what subject matter might be in greatest demand, and thus most needed. iStock offers some interesting insights into the subject because it basically has two separate collections – Signature and Essentials – with imagery at different price points.

Are Photographer Shooting What’s In Demand?

By Jim Pickerell | 870 Words | Posted 7/12/2018 | Comments (1)
If the major stock distributors want to sell more pictures it might be a good idea to give photographers more information about the relative demand for certain subjects in terms of number of images licensed and revenue generated by images with certain keywords. If occurred to me that the fastest growing collection on Gettyimages.com is EyeEm. Currently there are 26,024,940 images in the Getty Creative collection and 4,620,578 or 18% of them have been supplied by EyeEm. A little less than two years ago EyeEM only had 256,152 image in the collection.

Getty Creative Collection: 2016 & 2018

By Jim Pickerell | 2142 Words | Posted 7/11/2018 | Comments
This story provides some comparative figures of the 205 brands represented in the Getty Images Creative collection between August 2016 and June 2018. There were 15,001,453 images in the collection in 2016 and 23,922,471 today, a 37% increase overall in two years.

ACSIL and Thriving Archives Launch New Footage Industry Survey

By Jim Pickerell | 449 Words | Posted 7/10/2018 | Comments
The ACSIL Global Survey of Stock Footage Companies 4 is open now for participation. All footage companies worldwide are invited to participate in this fourth study of the stock footage industry. ACSIL and Thriving Archives today announced the launch of the ACSIL Global Survey of Stock Footage Companies 4 (AGS4), their fourth survey of the global footage business. The 47-question survey is being conducted online, and all footage companies worldwide are invited to participate. The online survey is open now through August 13, 2018, and can be accessed at www.thrivingarchives.com/ags4.

Copyright Law Rejected In EU Vote

By Jim Pickerell | 150 Words | Posted 7/9/2018 | Comments
A controversial bill in the EU seeking a rewrite of Europe’s copyright laws giving creators more power to restrict how their content is distributed has been rejected by lawmakers.  The vote was 318 against the legislation, known as The Copyright Directive, while 278 voted in favor, and 31 abstained, taking the reforms back to the drawing board.

Getty Pays Melania Trump Royalties

By Jim Pickerell | 647 Words | Posted 7/6/2018 | Comments
NBC News has reported that “News media paid Melania Trump thousands for use of photos in ‘positive stories only.’” President Donald Trump’s most recent financial disclosures revel that the first lady earned between $100,000 and $1,000,000 in photo royalties in 2017 from Getty Images. (Federal officials are only required to give an income range in their filings.

Globe Photos Resurrected As Fine Art Offering

By Jim Pickerell | 475 Words | Posted 7/5/2018 | Comments
From the 1940s through the 80s and 90s Globe Photos, Inc. was widely regarded by newspapers and magazines as a leading source for celebrity images. As other competitors entered the market Globe’s popularity faded, but they still have photographers covering red carpet events on a daily basis in Hollywood and New York. In recent years Globe Photos was one of 12 archives acquired by Capital Art, Inc., the world’s largest pop culture and image licensing company with more than 15 million images of every movie and entertainment celebrity of the 20th century.

VCG Closes 500px Marketplace: Abandons Creative Commons

By Jim Pickerell | 448 Words | Posted 7/2/2018 | Comments
On Saturday Visual China Group (VCG) shut down 500px Marketplace and replaced it with a distribution partnership arrangement. China users will be able to license the images through VCG who acquired 500px earlier this year. Getty Images will handle all licensing in the rest of the world.

The MEGA Agency Launches “The Mega Cloud”: Actively Seeking Contributor Archives

By Jim Pickerell | 767 Words | Posted 7/2/2018 | Comments
The Mega Agency, a leading provider of news, sport and entertainment content, is now giving photographers a quick, easy and efficient way to upload their digital archives. The initiative has been launched to add rich editorial content to Mega’s existing archive of more than 30million images and daily production of 10,000 images.? 

Microstock Agency Sizes

By Jim Pickerell | 1067 Words | Posted 6/29/2018 | Comments
Other than Shutterstock’s quarterly reports and occasional bits of information from Getty concerning iStock there is virtually no solid information available regarding the annual gross revenue generated by the microstock companies. I decided to take a look at the Poll information that can be found on Microstockgroup.com of 10 of the leading microstock agencies to see if I could draw any reasonable conclusions about the annual revenue of these companies.

The Mega Agency Becomes Premium Content Partner For AMI

By Jim Pickerell | 391 Words | Posted 6/27/2018 | Comments
The Mega Agency has signed a deal with American Media, Inc. (AMI), the leading publisher of celebrity journalism and health and fitness magazines in the United States, that makes it AMI’s premium content partner. Mega already globally syndicates exclusive content for AMI, which owns and operates the leading print and digital celebrity and active lifestyle media brands in the United States.

Photononstop Not Paying For Keywording

By Jim Pickerell | 217 Words | Posted 6/26/2018 | Comments (2)
Lohian Networks a keywording agency in India reports that Paris based Photononstop has not been paying its bills and may be in financial difficulty. Rashi Jain, Project Coordinator for Lohian Networks reports that in 2016 his company keyworded 3788 images for Photononstop at a rate of $1.25 per image for a total cost of $4,735.00. Invoices were sent in June and July 2016 via Photosindia in the U.S. Almost two years later these invoices have not been paid after repeated followup requests.

Olycom Files Bankruptcy: Acquired By LaPresse

By Jim Pickerell | 228 Words | Posted 6/26/2018 | Comments
Olycom, a major Italian photographic agency headquartered in Milan and founded in 1958 by Walfrido Chiarini as Olimpia Fotocronache has filed for bankruptcy. Everything regarding debts is in the hands of a judge. LaPresse, the Italian multimedia news agency led by Marco Durante, has acquired the analog and digital libraries of Olycom including the Publifoto brand, the historical archives Olimpia and Olycom and related brands covering the whole of the twentieth century, with a collection of over 15 million images.

Will EU’s Article 13 Help Photographers?

By Jim Pickerell | 855 Words | Posted 6/25/2018 | Comments (2)
Last week, the European Parliament’s Committee on Legal Affairs approved amendments to the EU’s Directive on Copyright in the Digital Single Market. EU’s Directive on Copyright in the Digital Single Market. Among the amendments approved was Article 13.

Scope Feature Folds In UK

By Jim Pickerell | 185 Words | Posted 6/21/2018 | Comments
Scope Features in the UK has gone into voluntary liquidation with nearly £400,000 in unpaid debts and nearly £13,000 in royalties still owed photographers. According to its statement of affairs filed at Companies House on 17 May, individual photographers are owed sums ranging from £30 to more than £2,000.

Is Getty Really Analyzing Its Image Collection?

By Jim Pickerell | 1505 Words | Posted 6/20/2018 | Comments
One has to wonder if Getty does any analysis of their Creative Collection in terms of what sells and what doesn’t. Clearly, as we reported yesterday, the largest and fastest growing segment of the Getty collection is EyeEM with 4,558,201 RF images. Back in August 2016 EyeEm had only recently started contributing to Getty Images and had 256,152 images in the collection. They have 17.79 times as many images now as in 2016. At that time Getty had a total of 16,687,710 images in the Creative Collection. That collection has grown 43% in size in two years, but nothing like EyeEm’s 1779% growth.

Getty Images Collections

By Jim Pickerell | 2550 Words | Posted 6/19/2018 | Comments (3)
In this report I have searched each of the different RM and RF collections on the Creative section of www.GettyImages.com to determine the number of images in each collection. Collection sizes vary greatly from EyeEm with 4,558,201 RF images to Silkroad Images, PictureIndia, Chic Sketch and Corbis Historical, all with fewer than 200 images each.

SilverHub Going Into Administration

By Jim Pickerell | 181 Words | Posted 6/18/2018 | Comments
Sources tell me that in an all-staff conference call on Wednesday, June 13, 2018, Nick Evans-Lombe and Adrian Murrell informed the SilverHub.Media staff that the company would be going into administration, the UK version of bankruptcy protection.

Disrupting Stock Photography

By Jim Pickerell | 821 Words | Posted 6/14/2018 | Comments (2)
Tom Zimberoff has written a very long and detailed story on Distrupting Stock Photography which makes some strong points about how the industry got to where it is today. Toward the end of his report he outlines a new business model which he calls “Business Made Easy For Photographers.”

Copyright Office Proposes 41% increase

By Jim Pickerell | 620 Words | Posted 6/13/2018 | Comments
The U.S. Copyright Office is proposing changes to fees for copyright registration. The Office has issued a statement outlining the proposed changes in detail, but on average, fees will increase by as much as 41%. According to the statement, the Office analyzed potential changes to fees and wants to ensure that they are “fair and equitable and give due consideration to the objectives of the copyright system,” as required by the statute.

Shutterstock Launches Ireland Office

By Jim Pickerell | 555 Words | Posted 6/12/2018 | Comments (1)
Shutterstock has announced the launch of its Dublin office with the intent to initially hire 40 professionals including engineering roles, and to potentially grow the team further over the coming years. This project is supported by the Irish Government through IDA Ireland.

How Many Unique Images Licensed Annually?

By Jim Pickerell | 767 Words | Posted 6/11/2018 | Comments (1)
One of the big mysteries in the stock photo agency business is the percentage of “Unique images” licensed annually. Some agencies, like Shutterstock, report the total number of images licensed, but many of those licensed are used by multiple customers so the actual number of different, unique images used is much smaller.

No Credit On 97% Of Images Newspapers Publish Online

By Jim Pickerell | 347 Words | Posted 6/8/2018 | Comments
Imatag has analyzed over 120,000 images on the websites of 23 major news organizations in Europe and North America and determined that only 3% of those published have credit or copyright metadata. Photographers will be surprised to learn the names of publications stripping data compared to those that credit photographers and leave metadata.

Future Of Stock Photography

By Jim Pickerell | 234 Words | Posted 6/7/2018 | Comments (2)
If you’re a photographer that counts on the licensing of stock images to provide a portion of your annual income the following are a few stories you should read. In the past decade stock photography as a business has declined dramatically. There is little hope that the situation will improve.

Collecting For Foreign Infringements

By Jim Pickerell | 423 Words | Posted 6/7/2018 | Comments
Back in 2016 Tony and Chelsea Northrup discovered that their image, originally published on the cover of their Adobe Lightroom 6/CC for Photographers book, had been used by an Australian company on the packaging of a smartphone case, and the product sold in Australia and New Zealand without their permission.

DroneBase Footage Now Available At Shutterstock

By Jim Pickerell | 248 Words | Posted 6/7/2018 | Comments (1)
Shutterstock is expanding its aerial footage collection in a new distribution deal that will deliver hundreds of high-quality 4K videos produced by the largest global drone operations company, DroneBase. From a soaring bird’s-eye view of the biggest cities in the world to incredible coastline vistas, all of this immersive content is now available to license for commercial use on Shutterstock.

Competing With Amateurs

By Jim Pickerell | 1325 Words | Posted 6/6/2018 | Comments
In two recent stories Know Your Return-Per-Image and Stock Photo Production Costs I discussed two very important issues for anyone trying to earn a portion of their living from stock image production. The issues boil down to (1) clearly understanding the cost of producing your images and (2) the return you’re receiving from sales of those images. No business can survive if it spends more to produce its products than it earns from sales.

Stock Image Production Costs

By Jim Pickerell | 1030 Words | Posted 6/4/2018 | Comments
One of the hardest things for stock photographers to calculate is their actual costs of stock image production. As in any business it is critical to understand your costs if you hope to eventually earn a profit from their production. This story will provide an outline of some of the things that need to be considered when determining costs. It will also provide some average costs figures that some leading professionals work toward.

Stocksy United Removes Membership Cap

By Jim Pickerell | 633 Words | Posted 6/1/2018 | Comments (1)
Stocksy United, the artist-owned photography + cinematography co-op that has tightly limited its membership since its founding in 2012, has made a decision to open its doors to new contributors. Stocksy has seen continued strong growth since its founding due to careful selection of new contributors, tight editing and licensing fees considered reasonable by customers, but still fair to contributors. In 2015 revenue was $7,928,745, up 126% from $3.5 million in 2014. By the end of 2017 revenue had grown another 26% in two-years to roughly $10.7 million.

Know Your Return-Per-Image

By Jim Pickerell | 726 Words | Posted 5/31/2018 | Comments
I would like to encourage every stock photographer to begin to calculate, on an annual basis, their Return-Per-Image (RPI) for each agency they work with. This is particularly important for those photographers who hope to realize a profit for the time and expense they invest in producing stock images.

500px Marketplace Closing Down

By Jim Pickerell | 378 Words | Posted 5/31/2018 | Comments
Contributors to 500px Marketplace are finally learning what Visual China Group (VCG) has planned for them. VCG has just sent them a message outlining some “major enhancements” that are coming. “ “These changes will help maximize your potential earnings by positioning your content at the right price and with the right distribution. Starting July 1st, 2018, we’re offering our community an exclusive opportunity to work with our newest global distribution partner, Getty Images,” the message says. (emphasis mine)

Technavio: Fake News

By Jim Pickerell | 277 Words | Posted 5/30/2018 | Comments
Last week I published information about Technavio’s new market research report. While I had not read the full report, I pointed out that I disagreed with some of the conclusions provided in the press release.

Do News Organizations Respect Copyright?

By Jim Pickerell | 293 Words | Posted 5/29/2018 | Comments
In 2016 a massive flash flood raced down the main street of Ellicott City, Maryland. It was called a “thousand-year flood” given the unique characteristics that set it in motion. On May 27, 2018 the flow that supposed to only occur once every 1,000 years struck again. Photographer Max Robinson gets classic footage and Fox News uses it without permission.

Getty RF Promotion

By Jim Pickerell | 247 Words | Posted 5/29/2018 | Comments
Getty has just sent out an email to its customers promoting its Creative Royalty-Free Imagery.  When you click on View All Creative Images you find that there are 16,844,390 images in the Creative RF collection. There are also 6,590,271 "Creative RM" images in the total Creative Collection.

Sandoval To Manage New & Press Business Development For agefotostock

By Jim Pickerell | 403 Words | Posted 5/25/2018 | Comments
agefotostock has appointed Yolanda Sandoval as Business Development Manager for the News & Press area of the company following the launch of their new website that simplifies their business into three primary business areas, Press, Creative and Economic imagery. Economic imagery was formerly referred to as Creative Stock photography. Sandoval will work out of the Madrid office.

Can Getty Raise Prices?

By Jim Pickerell | 996 Words | Posted 5/24/2018 | Comments (2)
After years of Shutterstock taking market share from Getty, it seems that the two have achieved a state of relative parity with regard to gross revenue generated from the licensing of still images. Customers no longer seem to be leaving Getty because its prices are too high. In fact, Getty seems to be charging selected customers less per-image than what Shutterstock would charge them. Where AdobeStock fits in is unclear, but for the time being each seems to have a customer base that favors them. There does not seem to be a lot of movement of customers from one to the other.

More on GDPR

By Jim Pickerell | 283 Words | Posted 5/23/2018 | Comments
The General Data Protection Regulation, GDPR, that goes into effect on Friday, May 25, 2018 will require companies that do business in the EU to provide a form to the companies that they are dealing with. It is not clear if it is necessary to supply such a form to each and every individual that a company deals with. A survey by CompliancePoint shows that 76% of U.S. businesses are not prepared for the enforcement deadline. (Check out previous story.)

Distributing RM Images To Multiple Agencies

By Jim Pickerell | 387 Words | Posted 5/23/2018 | Comments
Arcangel Images has sent the following message to the photographers it represents. “Again, we ask all photographers not to split rights-managed photoshoots between libraries or submit to other outlets near identical RM images to those held by Arcangel. Aside from devaluing your work, this can and will lead to major licensing conflicts. This not only affects our reputation as a supplier of high-end imagery, one which has taken almost twenty years to build but can be costly for the photographer, as they may be liable to pay legal and re-printing costs.”

Technavio 2018 Global Still Images Market Report

By Jim Pickerell | 732 Words | Posted 5/22/2018 | Comments (1)
London based, Technavio has published its 2018 report on the global still images market. The report estimates that the market will grow at a CAGR (Compound Annual Growth Rate) of approximately 8% during the period 2018-2022. The report is available at a discounted price of $2,500 and is said to “provide an analysis of the most important trends expected to impact the market outlook. In addition, it offers an up-to-date analysis of the market concerning the current market scenario, latest drivers, and the overall global environment.”

Lebrecht Photo Library Acquired By Bridgeman

By Jim Pickerell | 256 Words | Posted 5/22/2018 | Comments
Bridgeman has announced the acquisition of Lebrecht Photo Library, the world’s largest image bank for music and related arts, with a collection of over 400,000 specialist images. Lebrecht is the world's most comprehensive image bank for every kind of music ever created  - classical music, jazz, opera, rock music, musical instruments, notation, Broadway musicals, dance and ballet. It also has an extensive archive for literature and historical personalities.

What’s Selling?

By Jim Pickerell | 771 Words | Posted 5/21/2018 | Comments
What kind of images are generating the most revenue? Is it the amateur produce imagery that is quickly loading up most of the databases, or the more costly to produce model released people, lifestyle, and business imagery requiring complex and costly set ups and arrangement?

GDPR Explained

By Jim Pickerell | 296 Words | Posted 5/18/2018 | Comments
North American photographers and stock agencies may have heard about the new European Union GDPR (General Data Protection Regulation) law that goes into effect on May 25, 2018, but figured “that’s something happening in the EU that I don’t have to worry about.” Well, maybe not!

IBM Watson To Improve Shutterstock Search

By Jim Pickerell | 301 Words | Posted 5/18/2018 | Comments
Shutterstock is enlisting the help of IBM’s Watson AI technology to make it easier for marketers to find images, videos, and music tracks. The company announced today that its library of more than 200 million assets will become available in July through the Watson Content Hub, a cloud-based management system designed to aid in the creation of websites, apps, billboards, and more.

agefotostock Divides Website Into News, Creative And Microstock

By Jim Pickerell | 729 Words | Posted 5/17/2018 | Comments
When one analyzes the market for images, it is easy to see that the stock photography business seems to be classified into three image groups that clients can browse and license. Press and news images, creative photographs and a mountain of other visual content that goes from cheap to very cheap, defined as Microstock, although if we want to go lower on pricing, we can also find masses of free pictures from unknown, if not desperate authors, produced to generate internet traffic.

Are Photogs Being Credited And Paid Properly?

By Jim Pickerell | 879 Words | Posted 5/16/2018 | Comments
In 1968 Andy Sacks, a 20-year-old University of Michigan photographer covered Robert F. Kennedy’s campaign stop in Detroit for the student newspaper, The Michigan Daily. This is a story about how the photos he captured that day ended up getting used hundreds of times 40 to 50 year later and he received no credit or a reasonable share of compensation for their use.

Do We Need Floor Prices?

By Jim Pickerell | 847 Words | Posted 5/15/2018 | Comments
A reader agreed with the lead in “Escalating Price Based On Demand” that few photographers understand what they should charge for their work, but he argued that there is “another possible consideration.” He said it is important to establish a “floor price” below which you won’t license a usage. He asked, “why won’t agencies allow creator to set a ‘floor price” for ‘special images?’ It can be painful to see $2.50 sales of extremely complicated to produce images. Creators should be able to mark certain "high value images" so they can't be used unless the buyer is willing to pay at least a minimum fee.”

Is $1.00 Per-Image, Per-Year Enough?

By Jim Pickerell | 1169 Words | Posted 5/14/2018 | Comments
Recently Alfonso Gutiérrez, CEO of AGE FotoStock told one of my readers that a "professional" stock photo collection in an agency should be returning to its contributors a minimum of $1.00 per-image per-year. The photographer noted that his returns from AGE were way below that number and he wondered whether many photographers are seeing that kind of return.

Escalating Price Based On Demand

By Jim Pickerell | 1441 Words | Posted 5/10/2018 | Comments
Possibly the biggest flaws in the Blockchain model is allowing photographers to establish one fixed price for their work. As I have pointed out before very few photographers have any understanding of what they should charge for their work. They may know what they would “like” to get if someone uses one of their images, but invariably that will be much higher than all but a very few customers will be willing to pay to use the image.

Blockchain Stories

By Jim Pickerell | 161 Words | Posted 5/9/2018 | Comments
The opening session at this year’s CEPIC Congress in Berlin on May 30, 2018 is entitled “Can Blockchain be applied to the Photo Industry?” For those who would like to know more about the existing blockchain offerings, or who are considering putting images with one of the blockchain companies the following are some stories you might want to review.

Photochain: Rewriting Rules For Monetizing Images

By Jim Pickerell | 685 Words | Posted 5/9/2018 | Comments
Photochain is raising funds to build a blockchain based stock image platform that is excepted to go live by the end of 2018. Artists will be able to define the price for their work and receive “up to” 95% of the price they set (depending on the business model). The platform takes a commission to maintain the platform, and to offer support, marketing and other services.

Shutterstock Launches New Search Tools

By Jim Pickerell | 332 Words | Posted 5/8/2018 | Comments
Shutterstock, Inc. has launched of Shutterstock Reveal, a new Google Chrome extension, together with the release of its new experimentation site, Shutterstock Showcase, which features two additional new search innovations - Copy Space and Refine.

Hiring A Copyright Attorney

By Jim Pickerell | 1014 Words | Posted 5/4/2018 | Comments
When hiring an attorney to handle a copyright enforcement case the Copyright Alliance has suggested five questions photographers should consider.

Future Of Photography: Taking Or Creating Images

By Jim Pickerell | 441 Words | Posted 5/3/2018 | Comments (1)
If you enjoy taking pictures and are considering photography as a career, maybe it is time to think again. If you’re in your 20s or 30s it is definitely time to think again. If you’re thinking about majoring in photography at a University, please don’t waste your money.

The Blockchain Fairy Tale

By Jim Pickerell | 1094 Words | Posted 5/2/2018 | Comments
Blockchains are being touted as offering great future economic benefit for stock photographers. Photographers will be able to set the price for their work. No waiting weeks of months to be paid the photographers share of the sale. Once the image is licensed virtually 100% of the revenue will be transferred immediately to the photographer’s account. “Technology” has removed the need for middlemen and their costs. Blockchains will keep such great records on every transaction that consumers will be unable to steal without getting caught. Any unauthorized used will be immediately identified and the infringer will be pursued. Is it all really that good? Check out this story.

Can Shutterstock Grow Revenue?

By Jim Pickerell | 1034 Words | Posted 5/1/2018 | Comments (1)
Shutterstock ought to think about raising prices. Clearly the number of images download is flat and not likely to grow significantly in the future. Just look at the quarterly download numbers for 2016 and 2017. The overall market for stock photographer is not growing. For years Shutterstock got away with taking market share away from Getty. They though that because their downloads were growing that the market was growing. In reality they were just taking customers away from Getty.

Wemark Enters Stock Photography Marketplace

By Jim Pickerell | 738 Words | Posted 4/30/2018 | Comments
Wemark has announced on VentureBeat.com that it is looking to replace existing agencies in the stock photography marketplace with a blockchain strategy that supports direct transactions between creators and customers and gives photographers control over the price of their photos.

Shutterstock Q1 2018 Financial Results

By Jim Pickerell | 1009 Words | Posted 4/26/2018 | Comments
Shutterstock has reported Q1 2018 revenue of $153 million up $22.8 million compared to $130.2 million in Q1 2017. On a constant currency basis revenue grew about 12.8% compared to the first quarter of 2017. The revenue was also up $1.8 million from Q4 2017. Revenue per download averaged $3.40 per image, an 16.8% increase over Q1 2017.

Editorial Photography Future

By Jim Pickerell | 702 Words | Posted 4/25/2018 | Comments
A few months ago in an interview promoting his new book The Good Fight: America’s Ongoing Struggle for Justice, Rick Smolan was asked “How has technology disrupted photography.” Rick has been an editorial photographer since the 1980s, shot for Time, Life and National Geographic and may be best known for his “Day in the Life Of” series of books. The first six minutes of the interview is worth a listen.

CEPIC Congress Coming In Berlin

By Jim Pickerell | 263 Words | Posted 4/25/2018 | Comments
It’s about a month before the 2018 CEPIC Congress, the premier annual meeting of commercial still and moving image suppliers, will take place from 30 May to 1 June at the Maritim proArte hotel in Berlin. Currently 250 delegates from 150 companies and 29 countries are scheduled to attend.

Images On Getty They Can’t License

By Jim Pickerell | 366 Words | Posted 4/24/2018 | Comments
Does anyone know. who owns the copyright to image 607387712 of Marilyn Monroe on Gettyimages.com. Evidently Getty doesn’t. It seems that Getty has the rights to license the image for “Standard Editorial Rights,” but that does not include commercial use rights or print cover rights. Evidently it also doesn’t include the right to license a use for wall décor because Getty will not license the image for that purpose.

SmugMug Acquires Flickr

By Jim Pickerell | 942 Words | Posted 4/23/2018 | Comments
SmugMug, an independent, family-run company, has acquired Flickr from Verizon’s digital media subsidiary Oath. Flickr was founded in 2004 and sold to Yahoo in 2005. Yahoo, in turn, was acquired by Verizon in 2016 for $4.83 billion. Verizon combined Flickr with AOL to create a new subsidiary called Oath.

BrandCamp By Cavan Images

By Jim Pickerell | 853 Words | Posted 4/19/2018 | Comments
As more and more photographers with experience at putting together high production value shoots are leaving the stock photo business major brands are beginning to have trouble finding the images they need in stock photo files. There are plenty of cheap images and plenty of candid, “real life” images, available as stock photos, but often they don’t fit the concepts brands have in mind.

Photo Ten Five: New Information Resource

By Jim Pickerell | 339 Words | Posted 4/19/2018 | Comments
If you’re looking for information about all things related to photography, and are afraid you might have missed something important, you might want to check out Jain Lemos’ new Photo Ten Five website.

Declining Distributor Sales

By Jim Pickerell | 1299 Words | Posted 4/18/2018 | Comments
Back in the 1990s and early 2000s stock photo agencies began placing more and more copies of the images they represented with distributors around the world. Initially, this resulted in significant increases in revenue for the image creators and the primary agencies. The Internet and agency consolidation has changed all that, particularly for the image creator. Now, in many cases the distributor system has simply become a way to siphon off a bigger portion of the gross fee paid by the customer to middlemen before the image creator gets his share.

Image Source Partners With Luxy Images

By Jim Pickerell | 313 Words | Posted 4/16/2018 | Comments
Image Source has announced a new strategic partnership with high end brand, Luxy Images to deliver a bespoke (customized) image service direct to clients in Europe at www.imagesource.com.

Silverhub and Wonderhatch Combine Editorial Assignment Operations

By Jim Pickerell | 292 Words | Posted 4/16/2018 | Comments
SilverHub Media Group, which has become a vibrant new player in the editorial and assignments space since its launch in 2016, today announces that it has combined its editorial and assignment brand, SilverHub, with Wonderhatch, a freshly launched photographic and film assignment business.

Blend Images To Close Operations

By Jim Pickerell | 1448 Words | Posted 4/13/2018 | Comments
Blend Image, at one time the leading stock photo production company in North America, has announced to its image creators that it is “winding down” operations, “trying to negotiate deals that might provide members with the option to move their content without having to resubmit it,” and making plans to otherwise return content  by October 2018.

Masterfile Still Has Trouble Paying Current Royalties

By Jim Pickerell | 964 Words | Posted 4/12/2018 | Comments
Some Masterfile contributors report that the BIA restructuring of the company last year hasn’t solved Masterfile’s financial problems. Once again the company is falling behind on paying current royalties on new sales. I asked Steve Pigeon, CEO of Masterfile, for clarification and an explanation of the problems. The following are his answers.

Increased Use Of Certain Keywords

By Jim Pickerell | 731 Words | Posted 4/10/2018 | Comments
Over a billion searches are conducted annually on Gettyimages.com. Getty often provides information on a few search terms that are being used more frequently this year than in the previous year. Recently, they provided the following list and the percentage increase in 2017 compared to 2016.

Getty Retiring Thinkstock

By Jim Pickerell | 808 Words | Posted 4/9/2018 | Comments
Getty Images has announced that it will be retiring Thinkstock.com in mid-2019 and taking steps to transition Thinkstock customers over to Getty Images and iStock. Getty says this move will make way for a newer and overall improved experience for Thinkstock customers on Getty Images and iStock.

Getting To The Top Of Search Returns

By Jim Pickerell | 1160 Words | Posted 4/6/2018 | Comments (1)
The biggest problem for stock photographers today is not what to shoot, but how to get their photos near the top of the search return order. There are way too many images with the same keywords in all the major image collections. If your photo appears at the 4,746th spot in the search return, there is not much chance that any customer will ever see it -- let alone buy it. In fact, it has been determined that very few customers will look at more that 500 thumbnails before doing a different search or going somewhere else.

Growing Revenue In The Future

By Jim Pickerell | 1121 Words | Posted 4/6/2018 | Comments
The major stock agencies seem to have reached a revenue plateau. It is time to consider a major change in marketing strategy. There is a strategy that should be relatively easy to implement which could result in higher, overall revenue from licensing the same number of images.

Imatag: A Better Way To Protect Your Photos

By Jim Pickerell | 706 Words | Posted 4/6/2018 | Comments (1)
A visible watermark on your photos distracts from the impact a non-watermarked photo might have and may discourage people from using it. However, the real problem arises when the photo is actually licensed to a customer. Customers are only interested in using un-watermarked photos on their websites. When someone else sees the photo, and decides they would like to use it, they can easily copy and paste it to their own site. Imatag offers photographers a better way to protect their images.

Dreamstime Files Suit Against Google

By Jim Pickerell | 739 Words | Posted 4/2/2018 | Comments
Dreamstime has filed a sweeping lawsuit against Google in California federal court alleging anticompetitive and discriminatory antitrust law violations as well as on-going breaches of contract, in order to use its monopoly position in online search to benefit its business partners – Shutterstock, and of late Getty Images – while leaving other stock photo sellers out in the cold.

500px Marketplace In Transition

By Jim Pickerell | 456 Words | Posted 3/30/2018 | Comments
Now that 500px has been sold to VCG it appears that the 500px Marketplace is in transition. Major contributors to Marketplace are receiving notices that their agreements will be terminated effective June 27, 2018. It is not clear that Marketplace will cease all licensing of imagery at that time, but that appears to be the case.

Pursuing Infringements

By Jim Pickerell | 722 Words | Posted 3/29/2018 | Comments (1)
When it comes to pursuing copyright infringements the biggest problem for photographers is not finding unauthorized uses, but finding too many. Photographers can do their own searches using Google Images or Tineye. Once a use is found, the photographer must search his/her records to determine if the image has ever been licensed, and if so, the terms of the license.

Reducing Middleman Cuts

By Jim Pickerell | 1037 Words | Posted 3/28/2018 | Comments
Given stock imagery oversupply, and ever falling prices, in order to justify continued production of the type of images customers want to buy, professional image creators need to find a way to reduce, or eliminate, some of the middleman cuts.

Small Claims Bill - Contact Your Congressperson NOW!

By Jim Pickerell | 455 Words | Posted 3/27/2018 | Comments (2)
All photographers and copyright holders in the U.S. are urged to contact their Congressional Representative and ask them to Vote in Favor of H.R. 3945 – a bill to create a Small Claims Court! The bill is likely to be out of the House Judiciary Committee mark-up and ready for a vote the week of April 9th. Your representative needs to hear from you now! Grass-root support is imperative!

Looking To Maximize Revenue: RM or RF?

By Jim Pickerell | 700 Words | Posted 3/26/2018 | Comments (1)
I was talking to a photographer recently who has both RM and RF collections with Getty Images. The question he faces is whether to put new images into the RM or RF collections. Getty is pushing many of its photographers to move many of their images from RM to RF. Certainly, there is a much better chance that an image will get used if it is available for licensing as RF rather than RM. But, if the photographer’s goal is to maximize revenue, will images offered as RF earn as much revenue overall as those offered as RM?

New Search Term Needed - Used

By Jim Pickerell | 900 Words | Posted 3/23/2018 | Comments
If stock agencies really want to help their customers the most important thing they could do is make it possible for customers to search for just those image that have been previously “Used.” The biggest problems facing customers today is too much choice. Only a very small percentage of the images in the major agency collections are ever licensed, but customers have no way to distinguish the used images from those that have never been used.

VRmeta: New Video Keywording

By Jim Pickerell | 530 Words | Posted 3/22/2018 | Comments
One of the issues these videographers face is accurately tagging their video clips so they can be easily discovered by customers. Microstocksolutions LLC has released its VRmeta® app for iOS and Android that is designed to make it easier for videographers to accurately tag their digital video and 360°/ VR clips with time and location-based metadata.

iStock Exclusive or Multi-Agency Non-Exclusive?

By Jim Pickerell | 734 Words | Posted 3/21/2018 | Comments (2)
I’ve been asked by an iStock exclusive contributor with more than 10,000 images in the collection if he should go non-exclusive and put his images with multiple agencies. This contributor has been regularly adding new images, but his gross revenue has been steadily declining month by month.

Photography: The More Things Change...

By Jose Azel | 1488 Words | Posted 3/19/2018 | Comments
In Aurora Photos latest newsletter to contributors President and Founder José Azel offered insights on the current state of the stock photo industry that are worth every stock photographer considering

UK Football Association Selects SilverHub and Shutterstock As Photographer and Distribution Partners

By Jim Pickerell | 561 Words | Posted 3/16/2018 | Comments
The Football Association (FA), the governing body of English Football, has announced that it has awarded SilverHub Media UK Ltd. (SilverHub) and Shutterstock, Inc. an exclusive multi-year agreement to cover photography, distribution, and syndication services around key events and activities.

Trade Organizations In Europe Call On EU To Stop Framing

By Jim Pickerell | 1164 Words | Posted 3/15/2018 | Comments
In a joint letter to the European Parliament Legal Affairs Committee these trade organizations CEPIC, EFJ, EVA, and Pyramide Europe are calling European legislators to urgently correct the theory of law used by the Court of Justice of the European Union (CJEU) involving the use of framing/embedding technology on the Internet.

Masters of Photography Classes

By Jim Pickerell | 879 Words | Posted 3/14/2018 | Comments
Masters of Photography (MoP) has announced the launch of its first online video masterclass with legendary photographer Joel Meyerowitz. Masters of Photography is a new and unique online learning platform which brings together some of the worlds most acclaimed photographers; the Masters. Students can enjoy an unprecedented insight into the way the Masters work during intimate lessons that capture their knowledge, ethos and philosophy.

Do Buyers Need Unique Images?

By Jim Pickerell | 1029 Words | Posted 3/13/2018 | Comments
Marketers are often told that the images they use in their marketing materials should be “unique” – whenever possible unique to their own business. In theory, that is one reason why so many experts claim that stock images are bad. But, is that true? Do most image user follow this advice?

Shutterstock Expands Leadership Team

By Jim Pickerell | 493 Words | Posted 3/13/2018 | Comments
Shutterstock, has announced the expansion of its leadership team with three hires over the last six months. David Petts as Chief Revenue Officer, Lou Weiss joins the company as Chief Marketing Officer and Lisa Nadler, who joined the company in 2017, as Chief Human Resources Officer.

More 2018 Visual Trends

By Jim Pickerell | 666 Words | Posted 3/12/2018 | Comments
I have been looking at some of the Visual Trends 2018 reports. I hope they are helping customers because I don’t think they are doing much for image creators. Take Getty’s trend report which evidently came out of the UK office. They say, “our Creative team analyzed 1 billion searches and 400 million imagery downloads on GettyImages.com, studied advertising trends, and examined pop culture shifts to predict three defining visual trends of 2018.

Calculatings Fees & Damages For Stolen Images

By Jonathan Appleby | 893 Words | Posted 3/8/2018 | Comments (2)
Trying to decide how much you should charge for your image can be a bit like asking “how long’s a piece of string?” At Copytrack we help photographers get paid for uses of their work. When using us a photographer receives around 360 EURO ($443) for each one of their images successfully licensed.

Changing Photography Business

By Jim Pickerell | 1766 Words | Posted 3/7/2018 | Comments
Over 60 years ago I decided that because I enjoyed taking pictures I wanted to pursue photography as a way of earning my living. I’ve had a great career, but as a profession things have changed dramatically. For anyone starting out today it is much more difficult to get a foothold – and much less likely that you will ever earn reasonable money – taking pictures for a living.

Photo Sales Trends In China

By Dimmy Ran | 1836 Words | Posted 3/5/2018 | Comments
Every six months Dimmy Ran, Creative Content Director of HelloRF, a subsidiary of ZCOOL, prepares a detailed analysis of the search behaviors and sales trends of their Chinese customers. This information is sent to HelloRF contributors with the hope that it will help then create more competitive stock image content. While this information is specific to Chinese customer demand, it may also have relevance to customer demand in other countries around the world.

ImageBrief Closing Down

By Jim Pickerell | 619 Words | Posted 3/1/2018 | Comments (3)
After six years of connecting advertising agencies and brands with image creators ImageBrief has announced that they are closing down their marketing services. Effective March 1, 2018 when photographers who have subscribed to the service login the only page available to them is the one where they may download information about their licenses. No other website pages are operational. No new “Briefs” will be offered.

Travel Addicts: Photographer Couple Enlist Copytrack to Fight Image Theft

By Jonathan Appleby | 826 Words | Posted 2/28/2018 | Comments
Lance and Laura Longwell made it their life mission to travel. Despite both working 9 to 5s they found time to explore the world and in doing so set up TravelAddicts.net, an amazing site full of their adventures and stunning images from all corners of the globe. However, they soon had issues with image theft as their images were being used without permission. The Travel Addicts turned to Copytrack, the online compensation recovery portal, for help.

Growing Revenue At Shutterstock

By Jim Pickerell | 820 Words | Posted 2/27/2018 | Comments
A Shutterstock investor asked me recently, “What can Shutterstock do to grow revenue?” He went on, “worldwide, the number of customers willing to actually pay for the images they use seems to be flat, not growing. Shutterstock cut prices In 2017. Downloads were up less than 2% compared to 2016. Meanwhile, they added enough new images to grow their collection by 46% in 2017 compared to 2016. Art directors say the size of the collection is making it harder, not easier, for them to search and find what they need. AI doesn’t seem to be solving the search problem."

VCG Acquires 500px

By Jim Pickerell | 522 Words | Posted 2/26/2018 | Comments
Visual China Group (VCG) announced on Monday, February 26th that it has acquired 100% of 500PX, INC. (500px) shares through its wholly-owned subsidiary, VCG Hong Kong LTD. 500px is one of the leading online visual creative communities in the world, founded in 2009 and based in Toronto, Canada. With more than 13 million professional and hobbyist photographers from over 195 countries and regions, the 500px community has produced over 120 million unique images diversity and creative trend. 500px is renowned globally for its community, image licensing, and custom photography.

Proof of Existence Is Not Proof of Ownership

By Joe Naylor | 881 Words | Posted 2/26/2018 | Comments
There is a dangerous movement afoot; the idea that registration of your images on the blockchain is a cheap and simple alternative to registration with the United States Copyright Office.  It is not.

Shutterstock’s Average Price Increases: What Do They Mean?

By Jim Pickerell | 946 Words | Posted 2/23/2018 | Comments
The numbers Shutterstock put out yesterday got me thinking. Is it really possible for the average price per download to steadily rise in a year when they have introduced new 10 and 50 image packs at lower costs to the customers?  Do the download figures really mean the customers are using more of every category of imagery?

Depositphotos Launches The Focused Collection

By Jim Pickerell | 312 Words | Posted 2/23/2018 | Comments
Depositphotos, a global stock photography, stock footage and editing tools provider, has launched the Focused Collection, a marketplace of more than 400,000 premium images by selected artists which have previously never been available on stock photography platforms. The company partnered with 500px, Image Source Premium, Westend61, StockFood, MintImages and other major agencies to bring to life this collection of rare and authentic images, aiming to serve the needs of editors, websites, advertising agencies and corporate clients.

Shutterstock 2017 Financial Results

By Jim Pickerell | 1072 Words | Posted 2/22/2018 | Comments
Shutterstock has reported Q4 2017 revenue of $151.8 million up $21.7 million, or 16.6% on a constant currency basis, compared to $130.2 million in Q4 2016. The revenue was also up $10.7& million from Q3 2017. Revenue per download averaged $3.33 per image, an 11% increase over Q4 2016. About 27% of revenue, or roughly $150.4 million, was paid out in royalties to contributors.

Shutterstock Invests In ZCool, Sells Webdam

By Jim Pickerell | 357 Words | Posted 2/22/2018 | Comments
Shutterstock, Inc. has announced that on January 4, 2018, the Company invested $15.0 million in convertible preferred shares issued by Zcool Network Technology Limited ("Zcoolto”). Zcool's primary business is the operation of an e-commerce platform in China whereby customers can pay to license content contributed by creative professionals. The platform has nearly six million registered users. Zcool has been the exclusive distributor of Shutterstock creative content in China since 2014.

Unsplash: How Free is Free?

By Jim Pickerell | 670 Words | Posted 2/21/2018 | Comments
Since its launch in 2013 Unsplash has been providing a platform where photographers can upload their images for the enjoyment of others. The photographers allow anyone to use their images for free, for any purpose and without credit. While the photo library only contains 400,000 photos (compared to the 180 million on Shutterstock), the company says it’s had more than 48 billion photo views and 310 million photo downloads since launch. Currently, it is seeing 10 photo downloads per second.

Copytrack To Launch Global Copyright Register

By Jim Pickerell | 904 Words | Posted 2/20/2018 | Comments
Copytrack has completed its Initial Coin Offering (ICO) and will be launching a Global Copyright Register (GCR) this summer that will work in conjunction with their Global Copyright Enfocement services (copytrack.com). With their Presale and ICO they have a total of 8,600 investors who have purchased around 16 million tokens. The purchase of images found on the GCR will be tracked in a Blockchain and paid for using cryptocurrency tokens.

Embedding Photo Tweet Ruled Copyright Infringement

By Jim Pickerell | 238 Words | Posted 2/20/2018 | Comments
Judge Forrest of the U.S. District Court for the Southern District of New York in Goldman v. Breitbart News, LLC has ruled in favor of photographer Justin Goldman that embedding a tweet that contains a copyright protected photo does, in fact, constitute a copyright violation. If the ruling is upheld, it could have a major impact on the way media and many other Internet users get some of their imagery.

Footage.net Showcaseing Leading Footage Companies At NAB

By Jim Pickerell | 414 Words | Posted 2/16/2018 | Comments
Six prominent footage companies have signed on so far to take part in Footage.net's 2018 National Association of Broadcasters (NAB) exhibition, set to take place April 9-12 at the Las Vegas Convention Center. Current participants include Bridgeman Images, FootageBank, Global ImageWorks, INA, Reelin' in the Years Productions and the WPA Film Library. More footage companies are expected to sign on soon.

Teaching Journalists Where To Find Photos

By Jim Pickerell | 520 Words | Posted 2/15/2018 | Comments (1)
The Poynter Institute, headquartered in St. Petersburg, FL, is considered by many to be a global leader in journalism education. Poynter claims to be “the world’s leading instructor, innovator, convener and resource for anyone who aspires to engage and inform citizens in 21st Century democracies.” In a recent article formatted as a conversation between two Poynter employees -- Kristen Hare and Ren LaForme -- the two took the position that it’s hard to get anyone to read an online article if it is not accompanied with an image.

Getty Stops Keywording Images For Photographers

By Jim Pickerell | 369 Words | Posted 2/15/2018 | Comments
Getting images into the Getty Images collection so potential customers might see them has just become more time consuming for image creators. As of February 9th, 2018 Getty has ended its practice of adding custom keywords to the basic list of words photographers submit.

ICL vs Plus Registry

By Jim Pickerell | 1472 Words | Posted 2/13/2018 | Comments (1)
After I published my article proposing the development of an Image Creator Locator or ICL, several readers pointed out that the Plus Registry is designed to accomplish the same goal. See here for how ICL differs from Plus in its aims.

Joe Sohm: Stock Photo Success Story

By Jim Pickerell | 1336 Words | Posted 2/12/2018 | Comments (1)
Joe Sohm, the creator of Visions of America has been crisscrossing the U.S. for more that 30 years documenting the country as he sees it in all its beauty and uniqueness. From Presidential Campaigns of both parties to Landscapes & Cityscapes, Sohm is one of the most prolific Americana photographers. He has approximately 33,000 images in his collection. The collection is represented by the three major agencies – Getty Images, AdobeStock and Shutterstock – as well as a host of other agencies around the world.

Getty Images Announces Partnership With Google

By Jim Pickerell | 785 Words | Posted 2/9/2018 | Comments (2)
Getty Images and Google have announced an agreement that includes a multi-year global licensing partnership, enabling Google to use Getty Images’ content within its various products and services. “This agreement between Getty Images and Google sets the stage for a very productive, collaborative relationship between our companies,” said Dawn Airey, CEO, Getty Images. “We will license our market leading content to Google, working closely with them to improve attribution of our contributors’ work and thereby growing the ecosystem.”

Pursuing A Stock Photography Career

By Jim Pickerell | 1036 Words | Posted 2/8/2018 | Comments
I’ve been hearing more and more complaints from experienced photographers about the low royalties they are receiving for the use of their images – often less than $1.00. In many cases these low figures result because the primary agent with whom they placed their images is using a secondary distributor to actually handle the licensing to the customer.

Anthony Harris Leaves Image Source: Christina Vaughan Returns As CEO

By Jim Pickerell | 268 Words | Posted 2/8/2018 | Comments
As of January 31st Anthony Harris has stepped down as CEO of Image Source and Christina Vaughan has returned to the CEO position. In 2015 Christina turned over her leadership of Image Source to Mr. Harris, but remained a small shareholder. She moved to the position of CEO at CueSongs, and oversaw the initial deployment and beta testing of the new CuePro platform, which won the Technology Strategy Board competition in 2014 and received a substantial grant to develop its “Frictionless Music Licensing for Online Broadcast”.

IPA, Independent Photo Agency Acquires Photofoyer

By Jim Pickerell | 92 Words | Posted 2/8/2018 | Comments
IPA, Independent Photo Agency, one of the most important Italian photo agencies, has announced the acquisition of Photofoyer, which specializes in interior design and architecture photography. The purpose of the acquisition is to start a strategic project for the expansion of IPA’s creative sector, increasing its operations both at the European and extra-European context.

Metadata Practices Survey

By Jim Pickerell | 215 Words | Posted 2/7/2018 | Comments (1)
Lamark is doing a survey on metadata practices to determine what photographer are doing to try to protect their images from unauthorized use. I urge all photographers to complete this short survey. This data will help Lamark devise better and easier to use systems that insure that photographers will be properly paid when their images are used.

Footage In 2017

By Jim Pickerell | 2076 Words | Posted 2/5/2018 | Comments
If you’re interested in news about the stock footage industry you ought to be reading the Stock Footage Newsroom blog. In a recent edition David Seevers of Footage.net has provided a very detailed report on the highlights of what happened in the stock footage business in 2017. Footage.net If provides serious footage researchers with the opportunity to search across 30 of the world’s top stock footage archives with a single search, enabling researchers to find better content and save time. Footage.net also offers powerful tools for locating hard-to-find stock footage and simplifying the footage search process.

Stock Image Industry Potential

By Jim Pickerell | 373 Words | Posted 2/5/2018 | Comments
I was asked recently, “Kindly tell me how I can determine the market potential of the stock image industry.” Here’s my short answer. Your question doesn’t have an easy answer. I think the annual gross revenue, worldwide, generated by the licensing of stock imagery is about $2.5 billion. This breaks down to approximately $600 million for footage, $400 million for editorial, news oriented images and $1.5 billion for generic still images and illustration. About one-third of the $1.5 billion is for illustration, not photographs.

Understanding Blockchains

By Jim Pickerell | 1225 Words | Posted 2/1/2018 | Comments (1)
At some point in the future Blockchains may play a significant role in the licensing of stock imagery. My role is to try to provide my readers with a simplified, not too technical, understanding of the potential benefits, and risks, of blockchain technology so the readers might better plan their individual futures.

KodakCoin Sales Delayed Several Weeks.

By Jim Pickerell | 428 Words | Posted 2/1/2018 | Comments
If you’re an image creator, or a stock photography customer and you’ve been thinking about getting involved with the new KodakOne you might want to think again. The initial coin offering (ICO) of KodakCoin, that was supposed to launch on January 31st, has been delayed several weeks. In order to eventually license rights to images it will be necessary to use KodakCoins.

Album Upgrades Website 

By Jim Pickerell | 182 Words | Posted 2/1/2018 | Comments
The Barcelona-based photolibrary www.album-online.com has upgraded its website, designed & powered by its own internal team, with some improvements which will benefit photobuyers, including reverse image search, and bigger thumbnails so users can see if the picture meets their needs more quickly. 

More Than 1 Billion Images Licensed By Shutterstock

By Jim Pickerell | 298 Words | Posted 1/31/2018 | Comments (1)
Shutterstock has announced that in its 14-year history it has licensed more than 1 billion royalty free images, videos and music tracks across all of its businesses. Currently the company has more than 170 million commercial images, 40 million editorial images and 9 million video clips in its collections.

Blockchain Payment: How They Work

By Jim Pickerell | 791 Words | Posted 1/30/2018 | Comments
After publishing several stories on blockchain technology as it relates to image licensing, it has been unclear to me how customers with dollars in their pocket would conduct a transaction to license use of a photo and how the image creator would actually gets dollars they can use to buy groceries.

Where Have Photo Assignments Gone?

By Jim Pickerell | 966 Words | Posted 1/29/2018 | Comments
It used to be when a major corporation like British Petroleum (BP) went looking new images their art department would come up with a rather specific concept for what they needed. Then they would review photographer portfolios and hire a photographer to do the job. They would pay $1,500 per day, plus expenses for the shoot. Leading, experienced photographers often received significantly higher day rates.

Blockchains Without Cryptocurrency

By Jim Pickerell | 1076 Words | Posted 1/26/2018 | Comments
Blockchain tracking of stock image licensing may be a way to improve the working environment for image creators without getting involved in cryptocurrencies. One of the things that concerns image creators when they hear discussions about blockchains is that they always seem to be tied to collecting money in some type of “new economy” cryptocurrency like KodakCoin.

Protect Your Images From Unauthorized Use

By Jim Pickerell | 961 Words | Posted 1/26/2018 | Comments
One of the biggest problems in the stock image business is unauthorized use. Many of those making unauthorized uses would be happy to ask permission and compensate the creator, if they could just find them. When they find an image on a website other than the creators there is usually no information about who the creator is or how to locate him/her.

Image Trend Reports

By Jim Pickerell | 347 Words | Posted 1/26/2018 | Comments
It is that time of year when stock agencies report on image trends they expect to see in the coming year. The purpose of these reports is to help photographers focus their production on the subject matter the agencies think will be in demand in the coming year.

Pray Your Images Won’t Be Used Online

By Jim Pickerell | 1094 Words | Posted 1/22/2018 | Comments
If you want to earn more for the images you produce, and for there to be less unauthorized use, maybe you should be praying that your images won’t get used by customers online. For many this may sound like heresy, or at the very least, ridiculous. Doesn’t everyone want more people to see and use their images? Consider this analysis.

Shutterstock Forecasts 2018 Creative Trends

By Jim Pickerell | 770 Words | Posted 1/17/2018 | Comments
Shutterstock has released its 2018 Creative Trends Report. Every year, Shutterstock customers across the world make billions of searches for images, footage, and music. Shutterstock creative teams analyze this search and download data to discover the biggest year-over-year increases and identify the trends they believe will continue to grow throughout 2018.

Can Your IP Address Affect Your Shutterstock Sales

By Jim Pickerell | 307 Words | Posted 1/17/2018 | Comments
One Shutterstock photographer who has resided in various countries at different times reports that the Shutterstock search engine seems to use the contributor’s IP address as part of the algorithm to rank images higher or lower in the search return order based on location.

Stock Photography Performs Better Than Original Photography

By Jim Pickerell | 379 Words | Posted 1/16/2018 | Comments
You’ve seen all the stories about how stock photography is junk, will chase customers away and destroy a company’s business. Well now Darren Johnson, publisher of Campus News, says that Stock Photography actually Performs Better for his publication Than Original Photography

lPStock Blockchain - More Information

By Jim Pickerell | 1210 Words | Posted 1/15/2018 | Comments (2)
After publishing the story on IPStock on Friday I had some further questions particularly in regard to how customers actually pay for the use of images and how the photographers would receive payment. Askold Romanov, answered my questions.

Copyright Small Claims – Write Your Congressperson

By Jim Pickerell | 146 Words | Posted 1/15/2018 | Comments
In support of #SmallClaimsDay all U.S. image creators, stock agents (and friends of the creative community) are being asked to write their Congresspersons before January 17, 2018 and request that they co-sponsor H.R. 3945. By using this site (http://copyrightalliance.org/get-involved/add-your-voice/ ) sending letters is quick and easy to do!

Blockchain Pricing – Will It Work In The Stock Photo Industry?

By Jim Pickerell | 1827 Words | Posted 1/12/2018 | Comments
When I first heard about a blockchain based strategy for licensing stock images it sounded like it might have some potential. What photographer wouldn’t like to be able set the price for the licensing of his/her images, have customers pay those prices, and have most of the price the customer pays immediately credited to the photographer’s account. Sounds great.

IPStock Launch Blockchain Ecosystem For Stock Images

By Jim Pickerell | 611 Words | Posted 1/12/2018 | Comments
IPStock, run by Geneva based company Intellectual Property Depository and Management (IPDM) that develops a unique fintech platform for visual digital assets, has announced the launch of pre-ICO for its blockchain registry of visual digital content copyrights.

Copytrack Comments On KodakOne

By Jim Pickerell | 421 Words | Posted 1/12/2018 | Comments
Kodak have just started their new project “KodakOne” and already their shares have skyrocketed. In 2012 it was a different story as they were on the verge of bankruptcy, but they are slowly fighting their way back with their new idea. But what’s all the hype around the new project “KodakOne”?

2017 Stories Worth Reviewing

By Jim Pickerell | 161 Words | Posted 1/10/2018 | Comments
The following are links to some 2017 and early 2018 stories that might be worth reviewing as we move into the new year.

Kodak Announces Photographer-Friendly Cryptocurrency

By Jim Pickerell | 783 Words | Posted 1/10/2018 | Comments
Kodak and WENN Digital, in a licensing partnership, have announced the launch of the KODAKOne image rights management platform utilizing blockchain technology and KODAKCoin, a photo-centric cryptocurrency to empower photographers and agencies to take greater control in image rights management.

Copytrack’s Blockchain-based Global Copyright Registery

By Jim Pickerell | 650 Words | Posted 1/10/2018 | Comments
Copytrack, the German organization that tracks use of images on the Internet and then pursues infringers when an unauthorized use is discovered has announced that its “blockchain powered copyright registry and enforcement platform is preparing the enter the second round of the crowdsale” as a way of raising revenue for future expansion.

Raising Prices By $1.00

By Jim Pickerell | 565 Words | Posted 1/9/2018 | Comments
It is hard to find a stock photographer who has been in business for any period of time who can point to rising revenue per-image-licensed. Some who have dramatically increased the size of their collections may be able to point to overall annual revenue growth, but not growth per-image-in-the-collection.

Dealing With Free Image Use Requests

By Jim Pickerell | 612 Words | Posted 1/9/2018 | Comments (1)
Recently, Owen Franken asked how I would deal with a request for personal blog use of an image. He receives such requests rarely. He received the following from Andrew Skladowski in Australia. See my comments on things to consider regarding such a request.

Two Categories Of Image Suppliers

By Jim Pickerell | 1019 Words | Posted 1/8/2018 | Comments
Broadly, there are two different categories of photographer who produce stock images. I believe way less than 7% of Shutterstock contributors are earning enough annually to view stock photography as a career. A contributor probably needs a collection of at least 20,000 images to earn a reasonable amount of money by U.S. standards. At least 93% of Shutterstock contributors have fewer than 1,000 images in the collection and their average income is less than $200 annually. See the breakdowns.

Leading Shutterstock Contributors

By Jim Pickerell | 1244 Words | Posted 1/5/2018 | Comments
At the end of 2016 Shutterstock had 190,000 contributors. By May 2017 that number was up to 225,000 and in September when they launched Shutterstock Custom Content they said they had 250,000 contributors. Presumably the number was even higher at the end of the year.

Sheldon Marshall Has Passed Away

By Jim Pickerell | 333 Words | Posted 1/5/2018 | Comments
Heritage Images Partnership has announced that their company CEO and friend Sheldon Marshall passed away on 17 December 2017 during an expedition to Mount Everest; one of his long standing dreams. Marshall had been active in the stock photo industry for decades.

Adobe Trends – Silence And Solitude

By Jim Pickerell | 163 Words | Posted 1/5/2018 | Comments
Following its Visual Trends predictions for 2018, Adobe recently released a deep analysis of its first trend – Silence and Solitude. In this chaotic, always-on world where people are bombarded with constant speeds and feeds, the Adobe is seeing a growing demand for images that convey comfort and regeneration.

Photographer Productivity

By Jim Pickerell | 1299 Words | Posted 1/3/2018 | Comments
One of the things I said in my 2018 Predictions is: “Image creator may be given more useful information about what is in demand.” In recent years we’ve seen a huge growth in the number of creators entering the stock photo business as well as images added to the collections. But we’re no longer seeing a corresponding growth in revenue.

2018 Predictions

By Jim Pickerell | 1060 Words | Posted 1/2/2018 | Comments (1)
Here are a few stock photo industry changes that I predict will occur before 2019. 1 – At least one radically new and different business model for licensing stock images will be introduced. 2 – Customers will become more disenchanted with the major stock photo distributors. 3 -  Image creators may be given more useful information about what is in demand.
See More explanation

Will Blockchain Benefit Image Creators

By Jim Pickerell | 907 Words | Posted 12/28/2017 | Comments
Can blockchains improve tracking of stock photo sales, give creators greater control, cut costs and increase royalties? Various companies are talking about instituting such systems. Announcements are expected in the near future. Such systems may reduce the need for some of the services stock agencies currently provide and remit 80% to 90% of the fee the customer pays to the photographer.

Finding Photographers

By Jim Pickerell | 835 Words | Posted 12/27/2017 | Comments
Most commercial users want to be honest. They don’t set out to steal. They certainly don’t want to be chased by a photographer and his/her legal team once it is discovered that they have used an image without permission. If photographers want to license more images to professional users – and get better prices – then they must make it easier for customers to find them once the customers finds an image they would like to use. The process is easy enough if the customer finds the image on a stock agency website, but more and more customers are finding the images they would like to use by searching Google, Bing, Flickr or by randomly searching Facebook, Pinterest, Twitter, other social media sites or various publications.

The Cost Of Trusted Information

By Jim Pickerell | 708 Words | Posted 12/27/2017 | Comments
The European Parliament is debating new legislation that could require Facebook, Google, Twitter and other major players to share some of the advertising revenue they earn from making the information produced and supplied by major European press agencies available to readers for free.

Blockchains Are Coming

By Jim Pickerell | 480 Words | Posted 12/22/2017 | Comments (1)
Photographers and stock agencies may want to start paying a little attention to all the news about blockchains and cryptocurrency. Promoters say that blockchains can cut out some of the middleman costs and provide a more efficient and less costly payment system between image creator and buyer. With many cryptocurrency transactions it is possible to immediately convert the currency into green backs that can be used at any local store, or hold onto the cryptocurrency with the hope that it will increase in value.

Shutterstock Showcases Premier Editorial Content To All Customers

By Jim Pickerell | 894 Words | Posted 12/20/2017 | Comments (1)
Last week Shutterstock notified its editorial shooters that they had begun showcasing all of their Premier Editorial content on Shutterstock.com. Previously this content has only been accessible through the Shutterstock Premier website. “The new editorial tab will include our historic Rex collection, images from strategic partners, including AP, BFA, epa, and live coverage of breaking news, entertainment and sports events,” they said. 

Shutterstock Bans Images Of Ape And Monkey “Actors”

By Jim Pickerell | 351 Words | Posted 12/18/2017 | Comments (1)
After PETA (People For Ethical Treatment Of Animals) pointed out that monkeys and great apes suffer immensely when used for photo shoots—and that images of these animals in unnatural settings can harm conservation efforts and bolster the illegal wildlife trade—Shutterstock agreed to remove and ban all such photographs and videos of these species from its collection as well as from those of its subsidiary Bigstock.

Storyblocks 2018 Trend Guide

By Jim Pickerell | 199 Words | Posted 12/14/2017 | Comments
Storyblocks has published a 2018 Trends Guide that features predictions for the year ahead based on 64M searches and 38M downloads across their sites in the last year (365 days). The results suggest that creators are increasingly globally aware and creating a strong increase in demand for diverse and global content.

HOsiHO: Aerial Stock Collection

By Jim Pickerell | 216 Words | Posted 12/14/2017 | Comments
A three-year-old specialist stock agency in France call HOsiHO (meaning High So High, in French) is finding strong demand for aerial stock photography. The agency has a collection of 3000 aerial videos and stills shot by a pool of more than 40 talented contributors based at the four corners of France.

Why Creators Are Dissatisfied With Getty

By Jim Pickerell | 750 Words | Posted 12/13/2017 | Comments (3)
Recently, a Microstockgroup post by Hochmann asked, “Why all the hate towards Getty Images?” He went on to say, “Yes, I know that they give 20% as a commission while a bunch of other companies start at 35% and many of them go above 50%. But the thing is that in Getty you're getting 20% of photographs sold for $100 or $1000 instead of 50% of 1 dollar.

Getty Promotion Offers 31% Discount

By Jim Pickerell | 566 Words | Posted 12/12/2017 | Comments
Getty Images has sent out a promotion inviting customers to “Stretch Your 2017 Budget Into 2018  With Ultrapacks” and giving them 31% off if they purchase before the end of the year the right to download a certain number of images in 2018.

VisualSteam Releases Stock Image Licensing Survey Results

By Jim Pickerell | 661 Words | Posted 12/11/2017 | Comments (3)
VisualSteam has released the results of its 5th Annual Survey of Creative Pros on the issue of Stock Image Licensing. The survey was sent to US art buyers, art directors, art producers, creative directors, photo editors and marketing professionals and provides a glimpse into what is driving image licensing today.

Pickit Establishes Offices In Redmond Washington

By Jim Pickerell | 370 Words | Posted 12/8/2017 | Comments
Tim Hinchliffe has reported on the Sociable blog that Swedish stock image startup Pickit has announces its entry into the US market by establishing an office in Redmond, Washington to be closer to Microsoft.

Photos Shot In 2017

By Jim Pickerell | 621 Words | Posted 12/7/2017 | Comments
According to Statista 1,200 billion photos will be taken worldwide in 2017. Not surprisingly,  85% of them will be taken with Smartphones, 4.7% taken with Tablets and only 10.3% were taken with digital cameras. That works out to about 123,600,000,000 photos taken with digital cameras. A very small percentage of these will be made available available for licensing.

New Career Paths For Photographers

By Jim Pickerell | 531 Words | Posted 12/5/2017 | Comments
Many stock photographers are earning less and less from the new stock images they produce. They are finding that they can no longer expect to earn a significant portion of their annual income from licensing right to the use of their stock images. Consequently, they are looking for other ways to supplement their income.

Do All Google Searchers Expect FREE Images?

By Jim Pickerell | 588 Words | Posted 12/4/2017 | Comments
Jim Domke, creator of the Domke Camera Bag, recently commented about my Can Customers Find You article. He said, “Those searching for photos on Google or Bing are searching for FREE photos.” I disagree.

Netherlands Judge Redefines Creativity And Copyright

By Jim Pickerell | 1779 Words | Posted 12/1/2017 | Comments
A judge published a verdict on November 28, 2017 in the District Court of North Hoilland that could dramatically change the meaning of copyright in the Netherlands, if it is upheld. Masterfile and Mediapro, its representative in the Netherlands, had brought a case against a website operator who had used a Masterfile distributed photo of a “clear close-up of a temperature gauge of a car.” The photo was used without permission and no payment was made by the website operator to Masterfile

Entertainment Shooters Find They Don’t Need Stock Agencies

By Jim Pickerell | 636 Words | Posted 11/30/2017 | Comments
Given the low prices, royalty cuts and delayed payments, experienced entertainment shooter are finding they no longer need stock agencies – particularly microstock agencies. When a photographer shoots red carpet or other entertainment events all sales pretty much come the next morning, or not at all. Red carpet event photos have a VERY SHORT shelf life. The trick is getting your photos on the editor’s desk the next morning.

Tired Of Low Prices? Here’s A Possible Solution

By Jim Pickerell | 1068 Words | Posted 11/29/2017 | Comments (1)
Tired of low stock photo prices? Maybe you ought to license your images to customers direct. More and more customers are finding the images they need by searching Google. Sometimes the image may be one of yours that is represented by an agency. You may be able to get these searchers to come directly to you.

Can Customers Find You?

By Jim Pickerell | 1558 Words | Posted 11/28/2017 | Comments
When potential customers see one of your images they would like to use can they find you or your representative. More and more image users are finding the images they would like to use by searching Google or Bing. They also stumble on images that would be perfect for their next project while searching Facebook, Pinterest, Twitter and other social media sites.

RF, RM And Model Releases

By Jim Pickerell | 996 Words | Posted 11/27/2017 | Comments
“Must all Royalty Free photos be model released?” This question came from a stock agent who is considering converting his collection from RM to RF. The answer is NO. An increasing number of images are being offered under a Royalty Free License for Editorial Use Only. What the Editorial Use Only means is that “we don’t have a model release for this image,” and thus it can not be used for commercial purposes.

Is Drone Photography In Your Future?

By Jim Pickerell | 421 Words | Posted 11/22/2017 | Comments
Stock photographers operating drones may want to take a look at Skytango, a startup agency that specializes in supplying drone footage. Not only will Skytango license stock clip, but it will help those who need custom footage, that can only be shot from above. The company will help customers locate drone operators who have the equipment and skills needed for their jobs.

TT News Acquires IBL

By Jim Pickerell | 296 Words | Posted 11/21/2017 | Comments
The TT News Agency in Sweden has acquired IBL. Since its inception in the 1960s IBL has enjoyed a solid market position, in Sweden as well as internationally. Daily newspapers, weekly press, magazines and book publishers are the company’s main clients.

Adobe: Visual Trends For 2018

By Jim Pickerell | 153 Words | Posted 11/21/2017 | Comments
Adobe has identified six visual design trends for 2018. They are: Silence and Solitude; The fluid self; Multilocalism; Creative Reality; History and Memory and Touch and Tactility. In each of these areas they have created a gallery of Adobe Stock Photos that illustrate the concepts.

Explaining The Copyright Small Claims Bill

By Jim Pickerell | 54 Words | Posted 11/21/2017 | Comments
There have been many articles published about how the Copyright Small Claims Bill, H.R. 3945,  entitled, the “Copyright Alternative in Small-Claims Enforcement Act of 2017” (the “CASE Act”) will benefit image creators. Here is a link to an excellent article that may make it easier for photographers to understand exactly how the Act will benefit them.

Is Shutterstock Benefiting Editorial Photographers?

By Jim Pickerell | 720 Words | Posted 11/20/2017 | Comments
The market for editorial stock photos is quite different from the commercial market. Shutterstock may be having a difficult time adapting. In January 2015 Shutterstock purchased Rex Features for $33 million. At the time it was believed that Rex’s gross 2014 revenue was about $7 million.

Is SilverHub Media Closing After Less Than Two Years? SEE CORRECTION

By Jim Pickerell | 236 Words | Posted 11/17/2017 | Comments
SilverHub Media is an editorial agency launched in 2016 by long time Getty senior executive Nick Evans-Lomb and Adrian Murrell. On 11/14/2017 Companies House in the UK announced that SilverHub Media will be dissolved within 2 months “unless cause is shown to the contrary.” Rumors have it that SilverHub is saying this was an administrative error.

Michael Jay’s Perspective On EyeEm As A Market

By Jim Pickerell | 272 Words | Posted 11/14/2017 | Comments
Last week I wrote about the Top Suppliers to Getty Image and pointed out that EyeEm has significantly more images in the collection than any other agency supplier.

123RF’s New Idea: Ask Users For Donations

By Jim Pickerell | 524 Words | Posted 11/13/2017 | Comments
Contributors to 123RF recently received a request from Eric, who heads the team that secures content for 123RF. He asked them to make their footage available to users via a Creative Commons Zero (CC0) license. The theory behind this strategy seems to be that some users may be so thankful for your footage and images that they will send you a “donation” to show their appreciation. Of course, they are not “required or obligated” to donate.

Top Suppliers To Getty Images

By Jim Pickerell | 1545 Words | Posted 11/10/2017 | Comments
It was recently called to my attention that EyeEm has 3,494,298 images in the Getty Images collection. Add to that the 2,755,731 in the Moment collection (from Flickr photographers) and these two collections represent 29% of the combined RM and RF collections currently on Gettyimages.com, and 41% of the RF collection alone. I thought it might be interesting to take a look at the current number of images each brand has at Getty.

Are Getty’s Top Suppliers Providing What Customers Need?

By Jim Pickerell | 1972 Words | Posted 11/10/2017 | Comments
One of the interesting questions raised by the chart in the previous story and the chart below is the annual revenue each collection might possibly generate. Certain specialized collections may have provided very few images and thus generate much less than the larger collections. However, by using the attached chart brand owners may be able to get a senses of whether their images are selling as well as those of their competitors.

Getty Images Revenue

By Jim Pickerell | 514 Words | Posted 11/8/2017 | Comments
Moody’s Investor Service reports that total Getty Images revenue for the twelve months ended 30 September 2017 was $836.8 million.

Joomag Customers Get iStock Images For $2.99

By Jim Pickerell | 509 Words | Posted 11/6/2017 | Comments
iStock has done a deal with Joomag that allowed Joomag users to purchase as few, or as many, images a month as they would like to use for $2.99 each. Joomag provides a graphic design service to over “500,000 businesses across all sectors” that allows customers to create digital newsletters, magazines, catalogs, brochures, ebooks and more and deliver these products either online or in printed form.

What Stock Photos Are Most Frequently Used By Customers?

By Jim Pickerell | 810 Words | Posted 11/3/2017 | Comments
The GDUSA Survey of graphic designers provides a list of subjects in greatest demand by image buyers. The top 25 listed appear in more or less the following order. I searched the five major stock photo distributors – Getty Images, Shutterstock, AdobeStock, iStock and Alamy – to determine the number of images returned when each keyword is used.

Alamy Trends Since 2008

By Jim Pickerell | 713 Words | Posted 11/2/2017 | Comments
Alamy had a very good year in 2016 with total turnover up 31% to 19,185,668 £ compared to 14,627,376 £ in 2015. However, much of that percentage growth was due to strong sales in the U.S. and a declining exchange rate in the pound compared to other currencies. Based on the U.S. dollar rate at the end of each year the total turnover 2016 was $23,675,114 compared to $21,569,529 for 2015.

GDUSA Stock Visuals Survey Results

By Jim Pickerell | 828 Words | Posted 11/1/2017 | Comments
The results of Graphic Design USA’s 31st Annual Stock Visual Reader Survey are now available here. Ninety-two percent of the respondents use stock photos, 72% use stock illustration and 41% use footage and animation. This is a must read for anyone trying to produce imagery that the market wants.

Shutterstock Q3 2017 Financial Results

By Jim Pickerell | 1061 Words | Posted 10/31/2017 | Comments
Shutterstock has reported Q3 2017 revenue of $141.1 million up $18.0 million, or 14% on a constant currency basis, compared to Q3 2016. The revenue was also up $7.1 million from Q2 2017. Revenue per download averaged $3.23 per image, an 11% increase over Q3 2016. About 27% of revenue, or roughly $38.09 million, was paid out in royalties to contributors.

Why Do Customers Infringe Copyright?

By Jim Pickerell | 1578 Words | Posted 10/30/2017 | Comments
Photographers and agencies complain about Copyright Infringement. But, in many ways they make it hard for customers to discover who owns an image, whether it is one that needs to be licensed and how to properly license it. Most people in business will tell you that if you want to sell more products you need to make it easier for customers to find and pay for your products.

Promoting Images That Have Been Licensed

By Jim Pickerell | 1193 Words | Posted 10/27/2017 | Comments
Stock photo agents tell me that they can’t offer a system that would let customers search for just the images that have been licensed at least once because their photographers will complain.

Adobe Stock And NDAs

By Jim Pickerell | 416 Words | Posted 10/27/2017 | Comments
Photographers at PhotoPlus Expo report that they are receiving invitations to join AdobeStock, but Adobe wants them to sign an NDA (non-disclosure agreement) before they get information about what the invitation is all about.

Don’t Miss PhotoPlus Expo

By Jim Pickerell | 427 Words | Posted 10/27/2017 | Comments
Stock photographers in the New York metropolitan area still have time to attend the PhotoPlus Expo that has run from October 26th through tomorrow October 28th.

Visual Connections For Sale

By Jim Pickerell | 585 Words | Posted 10/25/2017 | Comments
After ten years running Visual Connections LLC, co-owners Deborah Free and Edward Leigh have decided to make it available for acquisition.

Rick Leckrone Resigns As Blend Images CEO

By Jim Pickerell | 314 Words | Posted 10/24/2017 | Comments
Blend Images LLC, a leading stock photography agency, has announced that CEO Rick Leckrone has resigned, effective immediately. Sarah Fix, Creative Vice President has been named CEO by Blend's LLC Managers.

Does Adding To An Image Collection Automatically Grow Revenue?

By Jim Pickerell | 664 Words | Posted 10/17/2017 | Comments
The question for today is: “Does adding to an image collection automatically grow revenue?” and the companion question “Must an image be NEW to be useful to a customer?” Shutterstock supplies some detail that is instructive and worth reviewing.

Picfair CEO: Free image Websites Exploit Photographers

By Jim Pickerell | 345 Words | Posted 10/17/2017 | Comments
Benji Lanyado, CEO & Founder of Picfair, the London-based fair trade photography platform, has used a blog post and a tweet to call on the photographer community to turn away from free images websites that offer "exposure" in return for free images.

Capture Unveils New Front-end WordPress Technology

By Jim Pickerell | 491 Words | Posted 10/17/2017 | Comments
Capture will be showcasing its new front-end Capture WEBSITE 3 technology – the window to your assets which forefronts audience engagement - at the DMLA 2017 conference in New York on October 22-24.

Storyblocks Will Generate $30 Million In 2017

By Jim Pickerell | 860 Words | Posted 10/12/2017 | Comments
Storyblocks, formerly Videoblocks will generate about $30 million from licensing stock imagery in 2017. Currently, they have a little over 200,000 subscription customers who pay $149 a year for unlimited access to about 115,000 video clips. They also offer about 200,000 photos, 200,000 vectors and other illustrations and 100,000 pieces of music for a separate subscription price.

Stocktrek Images Reveals New Website Design

By Jim Pickerell | 287 Words | Posted 10/12/2017 | Comments
Stocktrek Images has revamped its website with the emphasis on a new appearance to enhance its customer interaction. With the client's approach to licensing images changing significantly in the past years, Stocktrek has developed a new website to incorporate the requirements and demands of today's clients.

Hemis.fr Launches New Website

By Jim Pickerell | 346 Words | Posted 10/12/2017 | Comments
Hemis.fr, an independent photography agency founded in France in 2004 has launched a new website with a trendy design. The site has a high speed search engine that is fully responsive to Smartphone and Touch pad search. The site is searchable in both French and English.

20/20 Software Offers New Tools For Working With Footage

By Jim Pickerell | 295 Words | Posted 10/10/2017 | Comments
20/20 Software, a leading provider of multi-media websites and image/business management software to media libraries, museums, corporations, institutions, and newspapers, has outlined some of the newest tools it offers for working with footage.

Alamy Launches New International Websites

By Jim Pickerell | 188 Words | Posted 10/9/2017 | Comments
Alamy has launched a Spanish language version of its customer website with additional language sites for Italian, French and Portuguese-speaking countries scheduled to launch at a later date.

Stories Related To Stock Photo Pricing

By Jim Pickerell | 243 Words | Posted 10/9/2017 | Comments
The following are links to stories that deal with stock photo pricing trends. Probably the biggest problem the industry has faced in recent years has been the steady decline in prices for the use of stock images. This has led to a dramatic shift in how stock images are produced and who produces them. It is harder to tell how this has affected the quality of the offering, but the huge oversupply (compared to demand) has made it more difficult for customers to find the images they need.

Customer Challenge: Delivering More Assets

By Jim Pickerell | 650 Words | Posted 10/6/2017 | Comments
Stock photo customers have a big problem. They need more time and they need to be able to operate more efficiently. Stock photo sellers could help. Check out how.

Small Claims Legislation Update

By Jim Pickerell | 841 Words | Posted 10/5/2017 | Comments
A bipartisan solution to help artists, photographers, filmmakers, musicians, songwriters, authors and other creators protect their life’s work from unauthorized reproduction has been introduced by U.S. Representative Hakeem Jeffries (NY-08), a Democrat, and U.S. Representative Tom Marino (PA-10), a Republican, both members of the members of the House Judiciary Committee.

Re-Uploading Images

By Jim Pickerell | 371 Words | Posted 10/5/2017 | Comments
Have your images that sold a year or two ago sold again recently? If not, it may be because the images are now buried so deep in the search return order that customers no longer see them.

Future Of Aggregation Agents

By Jim Pickerell | 677 Words | Posted 10/4/2017 | Comments
Photographers placing images with agents that seek to license uses at higher prices ($100 or more), and generate a lot of their sales via distributors, need to think hard about whether such an approach is in their best economic interest.

Image Storage: Image Search

By Jim Pickerell | 965 Words | Posted 10/2/2017 | Comments
One of the biggest problems in the photo world today is that we are being buried in photos. InfoTrend estimates that consumers will take 1.2 trillion photos worldwide in 2017. The compound annual growth rate (CAGR) is 9%. This year 3,934,500,000,000 will be stored on hard drives and other formats worldwide.

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This stock photography news site focuses on the business side of photography with a special emphasis on stock photography. Our goal is to help photographers maximize their earnings based on the quality of their work and the commitment they are prepared to make to the trade. The information provided will be applicable to part-timers as well as full time professional photographers. We’ll leave it to others to teach photographers how to take better pictures.

Jim Pickerell launched his career as a photographer in 1963. In 1990 he began publishing a regular newsletter on stock photography. In 1995 the information was made available online as well as in print and was gradually expanded to a daily service. Click here for Pickerell's full biography.

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